The White Riband; Or, A Young Female's FollyJesse, F. Tennyson (Fryniwyd Tennyson)
General
The White Riband; Or, A Young Female's Folly
Jesse, F. Tennyson (Fryniwyd Tennyson)
Girls -- Fiction; Social classes -- Fiction; Women -- Fiction
Mrs. Lear coughed.
"I declare I should like to do a watercolour drawing of you, Loveday,"
went on Miss Le Pettit, "what do you say? Will you come up to the Manor
one day and let me paint your portrait?"
Loveday had not a notion what that process might be, but had she taken
it to be the blackest witchcraft (as she very likely would if she saw
it) she would still not have blenched. Her eye lightened, some instinct
told her that had she been as all the other girls, the Cherries and
Primroses, this wonderful lady would not have looked twice at her. At
last her singularity was standing her in good stead. Confidence came to
her, even a feeling of slight scorn for the world she knew, a feeling,
indeed, to which she was not altogether a stranger, but which up till
now she had stifled in affright at its presumption.
"What do you say, Mrs. Lear?" asked Miss Le Pettit, turning with her
charming condescension to the old woman, whom, after all, she was merely
visiting on a little matter of a recipe for elderflower-water, "what do
you say? Would she not look picturesque with an orange kerchief over her
head and a basket of fruit in her arms, as a young street-vendor?"
"She would certainly look outlandish, ma'am," was all Mrs. Lear could
manage.
Loveday's thoughts flew of a sudden to the ribands she had disturbed in
Cherry's lap, and for the first time in her life, till now so proudly
above such matters in its aloofness, she yearned over fineries. If such
as those could admit her into the company of such as this! She thought
enviously of that pale pink, even of the yellows and reds she had seen
in Bugletown, since such deep tones seemed to the taste of this
wonderful creature.
But Miss Le Pettit, still staring at her, changed her note.
"I was wrong," she exclaimed, "that face needs no gaudy hues, those
white cheeks need nothing but that red mouth to set them off, and that
black hair. She should be white, all white, should she not, Mrs. Lear?
A tragic bride from the south, languishing in our cold land. 'Twould
make a fine subject for a painting, though I fear beyond my brush.
I never can get my faces to look as sad as I could wish them to."
There was something engaging and almost childlike about the heiress as
she spoke those words, but recollecting herself she resumed:
"Never mind the portrait, but I vow I will have you for my attendant at
the Flora, that I will. Now, Mrs. Lear, you shall not protest, I always
have my way when I set my heart on a thing, you know. I am going to
dance in the Flora this year, 'tis a charming rural custom, and the
gentry should help to preserve it. Besides, my name is Flora, so I
am doubly bound. And this child shall be my maid; she will be a rare
contrast to me, I being chestnut and she so foreign looking. It would
be indiscreet if I were to dance with a gentleman--you know what the
gossips are--but if I am partnered by an attendant maid 'twill be very
different."
Public-domain text, read in full here on John Shaqi.
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