The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
“You have left the power of suggestion out of your calculations, sir,”
said he. “Only give a man a bayonet at the end of a musket and he will
instantly be ready to plunge it into the body of the first comer and so
make himself a hero, as you call it.”
The rich southern tones of M. Roux were still echoing through the room
when Madame Bergeret came in. As a rule she seldom entered the study
when her husband was there. To-day M. Bergeret noticed that she wore
her fine pink and white _peignoir_.
Expressing great surprise at finding M. Roux in the study, she
explained that she had just come in to ask her husband for a volume of
poems with which she might while away an hour or two.
She was suddenly a charming, good-tempered woman: the professor noticed
the fact, as a fact, though he felt no special interest in it.
Removing Freund’s Dictionary from an old leather arm-chair, M. Roux
cleared a seat for Madame Bergeret, while her husband’s thoughts
strayed, first to the quartos stacked against the wall and then to his
wife who had taken their place in the arm-chair. These two masses of
matter, the dictionary and the lady, thought he, were once but gases
floating in the primitive nebulosity. Though now they are strangely
different from one another in look, in nature and in function, they
were once for long ages exactly similar.
“For,” thought he to himself, “Madame Bergeret once swam in the vasty
abyss of the ages, shapeless, unconscious, scattered in light gleams of
oxygen and carbon. At the same time, the molecules that were one day
to make up this Latin dictionary were whirling in this same vapour,
which was destined at last to give birth to monstrous forms, to minute
insects and to a slender thread of thought. These imperfect and often
harassing creations, these monuments of my weary life, my wife and my
dictionary, needed the travail of eternity to produce them. Yet Amélie
is just a paltry mind in a coarsened body, and my dictionary is full of
mistakes. We can see from this example alone that there is very little
hope that even new æons of time would ever give us perfect knowledge
and beauty. As it is, we live but for a moment, yet by living for ever
we should gain nothing. The faults we see in nature, and how faulty she
is we know, are produced neither by time nor space!”
And in the restless perturbation of his thoughts M. Bergeret continued:
“But what is time itself, save just the movements of nature, and how
can I judge whether these are long or short? Granted that nature is
cruel in her cast-iron laws, how comes it that I recognise the fact?
And how do I manage to place myself outside her, so that I can weigh
her deeds in my scales? Had I but another standpoint in it, perchance
the universe might even seem to me a happier place.”
M. Bergeret hereupon suddenly emerged from his day-dream, and leant
forward to push the tottering pile of quartos close against the wall.
Public-domain text, read in full here on John Shaqi.
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