The Wigmaker in Eighteenth-Century Williamsburg: An Account of His Barbering, Hair-dressing, & Peruke-Making Services, & Some Remarks on Wigs of Various Styles. — John Shaqi
The Wigmaker in Eighteenth-Century Williamsburg: An Account of His Barbering, Hair-dressing, & Peruke-Making Services, & Some Remarks on Wigs of Various Styles.Bullock, Thomas K.
History
The Wigmaker in Eighteenth-Century Williamsburg: An Account of His Barbering, Hair-dressing, & Peruke-Making Services, & Some Remarks on Wigs of Various Styles.
Bullock, Thomas K.
Wigmakers; Wigs -- History
(3) _Making the Pattern_—The wigmaker’s pattern is a weaving pattern; it
shows how many rows of hair will be needed in a wig of the customer’s
size, how long each row must be, and how long the hair in each part of
each row must be in order to make a wig of the desired style. On a piece
of squared paper the wigmaker draws as many parallel lines as his
measurements of the customer’s head tell him are needed. Each successive
line will be longer or shorter, also, as may be necessary to fit the
customer’s head. On each line—or portion of a line—he marks the length
of hair he will use in that part of the wig. In determining this the
wigmaker relies partly on his own experience, partly on pattern books or
similar sources.
(4) _Weaving the Hair_—The rows of hair are woven on a simple frame of
two upright posts holding three (or six) silk threads stretched tight.
The wigmaker takes several strands of hair by the root ends and weaves
them around the silk warp threads, using one of a number of possible
weaves. He continues weaving a few strands at a time, sliding the woven
strands tight together until he has a strip of weft as long as the
pattern calls for. He winds the finished strip onto one post as more
thread unwinds from the other, and does another row. If the frame holds
six threads, the lower three are used for the right side of the wig
(with the curl of the hair toward the weaver) and the upper three for
the left side (with the hair curling away from the weaver).
(5) _Mounting the Caul_—From his assortment of hollowed out elm or ash
wig blocks of different sizes and shapes the wigmaker selects the one
that corresponds to the customer’s head measurements. On it he outlines
the proposed wig in inch-wide “mounting ribbon” of silk, carefully
measuring, stretching, folding, and lightly tacking as he goes. Then he
fixes the ribbon firmly in place with strong thread stretched around two
rows of small nails, called “wig points,” one row on either side of the
ribbon. Next he sews a fine net of cotton or silk to the mounting ribbon
all around, with appropriate folds and tucks to fit the curvature of the
wig block, and trims off the excess. He then adds two strips of
“covering ribbon” three and a half inches wide across the top of the
wig, one from front to back, the other from side to side, basting them
to the net and sewing them firmly to the mounting ribbon. He may add a
drawstring or even a small strap and buckle at the back so the wearer
can keep his wig on tighter.
Public-domain text, read in full here on John Shaqi.
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