Canadian fiction; Criminals -- Fiction; Man-woman relationships -- Fiction
“Doctor!” she screamed, as she heard his steps on the stair. “Doctor!
I’m dying, doctor! Are you never coming!”
She wondered, in her agony of mind and body, if he would be fool enough
not to understand. _Would_ he be fool enough?
Doogan’s agents and the three plain-clothes men gathered about her
silently, as they saw the intruder hurry in and drop on his knee beside
the woman. “Is it you, doctor?” she wailed, with chattering teeth,
shaking with an on-coming chill.
Durkin, in his dilemma, did not dare to look away from her face. He was
blindly trying to grope his way toward what it all meant. The others
stood above him, listening, waiting for the least word. One of them
moved to the open window, and closed it.
He bent lower, trying to read the dumb agony in the woman’s face. Then
another of the men went to the door, to guard it. Durkin could see the
shoes and trousers-legs of the others, up to the knee. Each pair of
boots, he noticed inconsequently, had a character and outline of their
own. But still his frantic brain could not find the key to the enigma.
Then, out of the chaos and the disorder of the chattering of her teeth,
seemed to come a hint, a whisper. She was sounding the double “i” of the
operator about to “send”—she was trying to catch his attention, to tell
him something, in Morse. He bent still closer, and fumbled artfully with
the sleeve, wet and sodden with her warm blood.
He read the signal, as she lay there with chattering teeth: “All up—Get
away quick—these are police—meet you in London—hotel Cecil—in two
months—hurry.”
“Where—write?” he implored her, by word of mouth, covering the question
by shifting his busily exploring fingers from the wounded left shoulder
to the right.
She closed her eyes. “C-N,” she answered. She repeated it, in the
strange Morse, weakly, and then fainted dead away.
Durkin dropped the sleeve he was carefully turning up. He looked at the
men about him with a sudden towering, almost drunken madness of relief,
a madness which they took for sudden rage.
“You fools, you,” he called at them. “You fools, couldn’t you see
it—this woman’s dying! Here, you, quick—compress this artery with your
thumb—hard, so! You, you—oh, I don’t care _who_ you are—telephone for
my instruments—Doctor Hodgson, No. 29 West Thirtieth!”—luckily he
remembered a throat doctor Frank had once consulted there—“and get me a
sheet off one of the beds, quick!”
He tossed his hat into the hall, jerked up his cuffs, almost believing,
himself, in the part he was acting.
“Water—where’ll I get a water-tap?” he demanded, feverishly, running to
the door. Outside the room, he suddenly kicked his hat to the foot of
the back-stairs. He caught it as it rebounded from the second step, and
bolted noiselessly up the stairway, never turning or looking back until
he had gained the roof. There he crept, cat-like, across half-a-dozen
houses, and slipped down the first fire-escape that offered.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account