Canadian fiction; Criminals -- Fiction; Man-woman relationships -- Fiction
At the third window, which was open, a stalwart Irish house-maid barred
his progress. He told her, hurriedly, he was a fire-escape inspector for
the City Department. Seeing that she doubted his word, he thrust a five
dollar bill in her hand. She looked at it, laughed cynically—and time,
he felt, was worth so much to him!—looked out at him again dubiously,
and then in silence led him through the passage and down to the
street-door.
As he turned hurriedly into Madison Avenue, toward the Grand Central
station, he heard the clang of a bell, and saw an ambulance clatter down
the street. Then, to make sure of it, he repeated her message to
himself: “Hotel Cecil—two months—C-N.”
For a moment or two the “C-N” puzzled him. Then he remembered that only
the day before he had been telling her the episode of the Charleston
earthquake, how every wire was “lost” after the final shock, and how
every operator for hundreds of miles about, during the next day of
line-repairing, kept calling “C-N” until an answer finally came from the
debris of the dead city.
Through some trick of memory, he then knew, she had recalled the Morse
signal for that southern city, in her emergency. There had been no time
for thought, no chance for even momentary deliberation. “Charleston!”
From that day the very name took on a newer and stranger meaning. He
knew that during weeks of loneliness and wandering it would be the one
city toward which his eyes and his heart would turn.
CHAPTER V
“Tomorrow for the States—for me England, and Yesterday,”—murmured
Frances Candler as she stood at her window looking down over the tangle
and tumult of the Strand. “For me, England and Yesterday!” she repeated,
and it was not until she had said the lines twice over that she
remembered how she had first copied them into her day-book, during her
early homesick weeks in New York.
It was the lassitude of her week at sea, and the loneliness of her
second week in a London hotel, she told herself, that had brought about
the change. If there were deeper and more dormant reasons, she was
content to let sleeping dogs lie. But she did not deceive herself as to
the meaning of the move. It was more than flight; it was surrender. It
was, indeed, the bitter and desperate remedy for a bitter and desperate
condition. For, inappositely, on the very brink of what seemed the
waiting and widening vista of all her life, she had decided to go back
to Oxford and her uncle’s home.
Public-domain text, read in full here on John Shaqi.
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