The day's work was over; men and boys began to arrive at the
Hands place, some carrying lanterns. [26] From early candle
lighting till near the turn of the night the house would be
full; then the elders, men and women on whose day labor a family
must depend, would begin to slip away, except a few old widowers
and bachelors who might remain smoking on the steps outside; and
a circle of young folks who would be left sitting in the lamplight
and fireshine of the main room. Flenton knew of old experience just
how the night would go. He longed inexpressibly to be one of those
up-sitting young people that he might push his chair close to
Callista Gentry's and whisper to her in the privilege of the hour.
Yet he was held back by a consideration for his dignity as one of
the bereaved.
"Miz. Gentry," said Roxy Griever, "will you stay and he'p with
the supper--they aim to have a reg'lar meal put on the table at
about midnight--settin' up with the dead is mighty wearin'."
"I 'low the gals would rather tend to that theirselves,"
deprecated Octavia, mildly. "I mind how it was when I was a gal.
I never did want some old women pesterin' around at sech a
time."
She cast a swift glance to where Callista sat, her fair head
bent, the lamplight upon its bright burden of corn-colored
braids, Lance Cleaverage, his hands in his pockets, standing
before the girl regarding her, and evidently about to say
something. [27]
The Widow Griever's look followed Octavia's to the front room in
which half-a-dozen couples had paired off, whispering, giggling
a bit if the truth must be told, with an occasional undernote of
hysteria in the giggles.
"That's jest the reason," she announced, straightening up from
the hearth where she had been stirring a vast boiler full of
very strong coffee. "The gals that lets tham men have their way
is foolish. They'll rue the day they done so. Men persons would
always have the old folks leave, and the young folks run things
to suit theirselves; but I don't believe in sech."
On the mental horizon of the Widow Griever there hovered ever a
vast, dun, evil-promising cloud known as "tham men." She never
alluded to the opposite sex in any way other than collectively,
and named them in this manner, which held in it all of reproach.
Her father--gentle soul--presented himself to her under the name
of Poppy, as somewhat set apart from the raging mass of predatory
males addressed more or less openly and directly to destruction.
Poppy and a young brother, Sylvanus, though belonging to the
vicious sex and thereby under suspicion, were possible; but Lance,
the lawless and debonair, was not only one of the enemy--he was
Roxy Griever's horrible example. The church-house where "tham
men" were kept on the one side so that the gentler half of creation
might sit peacefully [28] on the other, was to her thinking the
only safe and proper place of public gathering.
Public-domain text, read in full here on John Shaqi.
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