"I tell you, Miz. Gentry," she now pursued, her reprehending eye
going past the person she answered to fasten itself on Lance's
lounging figure and note the careless, upward fling of his head,
"I tell you that I ain't never been back to the Settlement sence
I left it a widder. What would I be doin' down thar amongst all
tham men? But Lance, he goes down, and every time he goes, I
think he gits more of the Old Boy in him, 'caze evil is a-walkin'
around at noonday down in tham settlements, and you cain't be
safe anywhars."
"Might just as well quit being scared then," drawled Lance's
soft voice. He had stepped noiselessly to the door, at Callista's
suggestion to see if the coffee were ready.
"You Lance Cleaverage!" returned his sister in a carefully
suppressed tone that was sufficiently acid to make up for its
lack of volume, "I ain't a-goin' to quit bein' scared for yo'
say-so. You ought to be ashamed to name such--in the house with
the dead this a-way. No, the coffee'll not be ready for
somewhile yet. When hit is, you'ns can fetch cheers and he'p
yourselves to it. I'm a-goin' to show Miz. Gentry my gospel
quilt that I brung with me to lay over Granny."
Roxanna Cleaverage had married rather late in life. Girlhood had
been but an unsatisfactory season to her; young women in a primitive
society [29] are not given much prominence, and Roxy had neither
beauty nor charm to command what was to be had. Lacking these,
she made a great point of religion, which led incidentally to her
marriage with John Griever, an itinerant preacher, and brought her
two blissful years and Mary Ann Martha. As the wife of a preacher
she had been able to assume some dignity, to instruct, to lay down
the law, to keep herself measurably in the public eye.
Public-domain text, read in full here on John Shaqi.
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