WHEN supper was done and the children in bed she moved about the room
for a few minutes putting things to rights. Eldridge, sitting by the
table, held his newspaper in his hand and now and then he rustled it and
turned it over; his eyes did not leave the little black printed marks,
but his real eyes were not following the marks; they were watching the
woman; they tried to dart upon her in her plainness and make her speak.
There was something monstrous to him--that they should be here together,
in this room--he could have touched her with his hand as she moved past
him--yet they were a thousand miles apart. He cleared his throat; he
would force her, accuse her, make her reveal what was going on behind
the earnest-looking glasses.... He turned the paper and began another
page.... If he were another man he might spring at her--take her by the
throat--force her back--back against the wall--and _make_ her speak! She
had finished tidying the room and came over to the table, the torn coat
in her hand; she was looking down at the frayed threads in the rent, the
little line between her eyes; he did not look up or move; he could hear
her breathing--then she gave a little sigh and laid the coat on the
table.... She was leaving the room. His eyes leaped after her and came
back.
When she returned she spread the roll of pieces on the table and
selected one, slipping it in beneath the rent; he could see--without
taking his eyes from the page--he could see the anxious, faintly red
knuckles and her fingers fitting the piece in place with deft, roughened
tips. She had a kind of special skill at mending, making old things new.
When they were first married it had been one of their little jokes--how
lucky she was to have married a poor man. He had kissed her fingers one
day--he recalled it--when she had shown him the little skilful darn
in his coat; he had called it a kind of poem and he had kissed her. It
seemed almost shameless to him, behind his paper--the foolishness was
shameless--of kissing her for that....
She was sewing swiftly now with the short, still movements that came and
went like breaths; her head was bent over the coat and he could see the
parting of her hair; he dropped his eye to it for a minute and rustled
the paper and turned it vaguely. “I was in at Merwin’s this afternoon,”
he said.
The needle paused a dart--and went on rhythmically, in and out. “Did you
like it?” she asked. She had not lifted her head from her work.
He turned a casual page and read on--“Oh, so-so.” It was the sort of
absent-minded talk they often had--a kind of thinking out loud without
interest in one another.
“It is a popular place, isn’t it?”
She was smoothing the edges of the patch thoughtfully; there was a
little smile on her lip.
He folded his paper. “I’m going to bed,” he announced.
She glanced quickly at the clock and resumed her work. “I must finish
this. He hasn’t any other to wear.” The needle went in and out.
Public-domain text, read in full here on John Shaqi.
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