British -- India -- Fiction; India -- Social life and customs -- Fiction
"Are you ready to come home?" he asked in a cold, level voice.
Then she looked up in nervous appeal. "Oh, George, there are three more
dances besides the extras on the programme!" She turned as though for
sympathy and support to the man who sat silent at her side, toying with
her fan. He only smiled inscrutably, and his eyes held the expression of
one looking on at a comedy.
Captain Coventry stood rigid; his hands were clenched, his face hard and
set.
"It is time for us to go home," he said, with a faint though
unmistakable emphasis on the pronoun.
She moved a small, satin-shod foot impatiently. "Oh, do let us stay a
little longer," she protested; "nobody is going yet."
"_We_ are," said her husband.
"Why?" she demanded in desperate defiance. Then she looked frightened,
and rose with reluctance from her seat.
For a moment she glanced from one man to the other, disconcerted because
Mr. Kennard had said nothing, had not asserted his claim to the dances
that still were his on her programme. Suddenly she felt helpless,
deserted, indignant. Mr. Kennard must think she was not her own
mistress, that she could not do as she chose, that she allowed herself
to be treated like a child. It was insufferable! Why couldn't George
trust her? He ought to be glad to see her receiving admiration and
attention. It was odious of him to place her in such a false and
unpleasant position. But while that hard, cruel look remained in his
eyes she dared not defy him. She would have to obey like a slave at the
moment, though she vowed to herself that she would demand an apology
once they were alone.
She rose with an air of offended pride, and held out her hand for her
fan. Kennard gave it to her with a bow, and a suppressed smile on his
face that made Coventry long to knock him down. They bade each other
formal good-nights, and Rafella stalked in the direction of the
cloakroom, her head held high, her husband following her close.
Public-domain text, read in full here on John Shaqi.
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