that older type is still occasionally found perhaps, a survival of the
time when emancipation was rather generally interpreted as freedom for
masculinity. The “man-woman” in masculine attire, with weapons of
defence against man in one hand and a cigarette in the other, her soul
filled with mad ambition for her own sex and, as representative of her
entire sex, with hatred toward the other, was however always rare. Now,
she has almost entirely vanished, except alas, the cigarette. But she
smokes it now often with—masculine friends! She follows in her mode of
life, as in her dress, the law of good taste—not to offend; she
endeavours, if only with a flower or two, to give a glimmer of cosy
comfort to her place of work. This comfort, which often comes into the
public life with woman is perhaps the reason why many men, who first
looked with indignation upon feminine fellow-workmen, would now miss
them. The more personal the culture of these women becomes, the more
they endeavour, according to their time and means, to express their
personality in the lines and colours of their dress and in the
arrangement of their room. Those best situated often succeed, toward the
end of their working days, in winning their own little home which they
perhaps share with a friend, or they join a co-operative enterprise and
can thus raise their standard of living. The same women who, at
twenty-five, scornfully declared that they “would never bury their head
in a sauce-pan,” are now, at fifty, consciously aware of the
significance of the table for the activity of the brain; indeed they are
now quite as proud if they have prepared a good dish as they were in
their youth when they passed a fine examination!
Public-domain text, read in full here on John Shaqi.
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