Isle of Man -- Fiction; World War, 1914-1918 -- Fiction
“Don’t be a fool, girl. Let me in,” he whispers.
She struggles to shut the door in his face. Her strength is great, but
his is greater, and he has almost conquered her resistance when the
figure of another man comes from behind.
It is Oskar. With both hands he takes the blackguard by the throat,
drags him from the door and flings him five yards back into the road,
where he falls heavily and lies for a moment. Then he gets up and
shambles off, saying nothing, and at the next instant Oskar himself,
without a word to Mona, turns away.
It is midsummer. The insular horse-racing has begun--an event in which
the prisoners are keenly interested, but of which they are supposed
to know nothing. Since the changing of the guard the _morale_ of the
camp has gone down headlong. Drink has been getting in--nobody knows
how. It is first discovered in the First Compound, commonly called the
millionaire’s quarter.
Suspecting an illicit traffic the officers raid a tent occupied
by a German baron, and find half a dozen men about a table, with
champagne, cigars, brandy and every luxury of a fashionable night
club. A searching inquiry is made by the Commandant. It has no result.
The captain of the guard, who is zealous in helping, can offer no
explanation.
Later it is discovered that still worse corruption is going on in the
Second Compound. The sailors are quarrelling, fighting and rioting
under the influence of raw spirits, generally rum, probably much
above proof. Where does their money come from? And how does the drink
get into the camp? For their work in the workshops and on the land
the prisoners are paid, but their small earnings (less a tax to the
camp and a small sum for “fag-money”) go into the camp bank, to be
distributed when the war is over. Once more an inquiry is fruitless.
The men refuse to speak, and the captain of the guard is bewildered.
One morning, on rising, Mona sees Oskar Heine in the avenue talking
through the barbed-wire fence to a group of sailors in the Second
Compound. The men are behaving like infuriated animals, clenching
and shaking their fists as if vowing vengeance. A moment afterwards
she sees the captain, with a quick step, as if coming from the First
Compound, cross the avenue, disperse the men by a fierce command, and
then turn hotly on Oskar. Mona is too far away to hear what is being
said, but she sees that Oskar, without answering, walks slowly away.
Public-domain text, read in full here on John Shaqi.
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