Isle of Man -- Fiction; World War, 1914-1918 -- Fiction
An hour afterwards, when she is at work in the dairy, she hears harsh
cries from the Second Compound. Going to the door she sees a shocking
scene. The infuriated prisoners, whom she had seen talking to Oskar,
augmented by at least a hundred others, are hunting a man as if with
the intention of lynching him. They are shouting and gesticulating,
and the man is screaming. They have torn his coat off, and the upper
part of his body is almost naked. He is running to and fro as if trying
to escape from his pursuers, and they are beating him as he flies and
kicking him when he falls. The soldiers on guard at the gate of the
compound are racing to the man’s relief and threatening with their
rifles, but the rifles are being wrenched out of their hands and turned
against them. The clamour is fearful. The whole compound is in wild
disorder.
“The thief! The cheat! Search him! Strip him!”
Without waiting to think what she is doing, but with a frightful
apprehension of danger to Oskar, Mona runs into the compound (there
being no one at the gate to prevent her), and with her strong arms,
which are bare to the elbows, she struggles through the mob of drunken
men.
“Stop! Stand back! You brutes!”
More from the sound of her voice than from the strength of her muscles
the prisoners fall away and she reaches their victim. He is on the
ground at her feet, bleeding about the face and head and crying for
mercy.
It is the captain of the guard!
When the miserable creature sees who has rescued him he squirms to her
feet and calls on her to save him. A body of the guard from another
compound come running up and carry him away, and the infuriated men
slink off to the cover of their quarters.
Later in the day Mona hears that six of the prisoners have been
arrested and sent to the lock-up at Peel and that Oskar Heine is one of
them. Still later she learns that they are to be brought up for trial
in the morning.
What is Oskar to be charged with? Mona has not been summoned, but she
decides to go to the trial. She has a presentiment of something evil
that is to happen to her there, but all the same she determines to go.
_EIGHTH CHAPTER_
Mona rises next day before the cows have begun to call, and as soon as
her work in the dairy is done she hurries off to Peel. The court-house
is as crowded as before with guards and townspeople. With difficulty
she crushes her way into the last place by the door.
The proceedings have begun and the prisoners are standing in the dock
with their backs to her--five unkempt heads of common-looking sailors
and Oskar’s erect figure, with his fair hair, at the end of them.
The Governor is on the bench, and he has the High Bailiff and the
Commandant on either side of him. The captain of the guard, with a
bandage across his forehead, is in the witness-box. He is answering the
questions of the advocate for the Crown.
“And now, Captain, tell us your own story.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account