"As for her," he went on, "if I live to be a hundred, I shall see her
before my eyes as something standing out in all its details under the
full light of day. The shape of her lips, the expression of her eyes,
the color of her hair, the special character of her walk, the rhythm of
her movements, the outline of her body: all this is recorded within
myself, not as a vision which I summon up at will, but as something that
forms part of my very being. It is as though, during my delirium, all
the mysterious powers of my brain had collaborated to assimilate
entirely those hateful memories. There was a time when all this was a
morbid obsession: nowadays, I suffer only at certain hours, when the
night is coming in and I am alone. My father was murdered; and the woman
who murdered him is alive, unpunished, happy, rich, honored, pursuing
her work of hatred and destruction."
"Would you know her again if you saw her, Paul?"
"Would I know her again! I should know her among a thousand. Even if she
were disfigured by age, I should discover in the wrinkles of the old
woman that she had become the face of the younger woman who stabbed my
father to death on that September evening. Know her again! Why, I
noticed the very shade of the dress she wore! It seems incredible, but
there it is. A gray dress, with a black lace scarf over the shoulders;
and here, in the bodice, by way of a brooch, a heavy cameo, set in a
gold snake with ruby eyes. You see, Élisabeth, I have not forgotten and
I never shall forget."
He ceased. Élisabeth was crying. The past which her husband had revealed
to her was filling her with the same sense of horror and bitterness. He
drew her to him and kissed her on the forehead.
"You are right not to forget," she said. "The murder will be punished
because it has to be punished. But you must not let your life be subject
to these memories of hatred. There are two of us now and we love each
other. Let us look towards the future."
* * * * *
The Château d'Ornequin is a handsome sixteenth century building of
simple design, with four peaked turrets, tall windows with denticulated
pinnacles and a light balustrade projecting above the first story. The
esplanade is formed by well-kept lawns which surround the courtyard and
lead on the right and left to gardens, woods and orchards. One side of
these lawns ends in a broad terrace overlooking the valley of the
Liseron. On this terrace, in a line with the house, stand the majestic
ruins of a four-square castle-keep.
The whole wears a very stately air. The estate, surrounded by farms and
fields, demands active and careful working for its maintenance. It is
one of the largest in the department.
Public-domain text, read in full here on John Shaqi.
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