Seventeen years before, at the sale held upon the death of the last
Baron d'Ornequin, Élisabeth's father, the Comte d'Andeville, bought it
at his wife's desire. He had been married for five years and had
resigned his commission in the cavalry in order to devote himself
entirely to the woman he loved. A chance journey brought them to
Ornequin just as the sale, which had hardly been advertised in the local
press, was about to be held. Hermine d'Andeville fell in love with the
house and the domain; and the Count, who was looking for an estate whose
management would occupy his spare time effected the purchase through his
lawyer by private treaty.
During the winter that followed, he directed from Paris the work of
restoration which was necessitated by the state of disrepair in which
the former owner had left the house. M. d'Andeville wished it to be not
only comfortable but also elegant; and, little by little, he sent down
all the tapestries, pictures, objects of art and knicknacks that
adorned his house in Paris.
They were not able to take up their residence until August. They then
spent a few delightful weeks with their dear Élisabeth, at this time
four years old, and their son, Bernard, a lusty boy to whom the Countess
had given birth that same year. Hermine d'Andeville was devoted to her
children and never went beyond the confines of the park. The Count
looked after his farms and shot over his coverts, accompanied by Jérôme,
his gamekeeper, a worthy Alsatian, who had been in the late owner's
service and who knew every yard of the estate.
At the end of October, the Countess took cold; the illness that followed
was pretty serious; and the Comte d'Andeville decided to take her and
the children to the south. A fortnight later she had a relapse; and in
three days she was dead.
The Count experienced the despair which makes a man feel that life is
over and that, whatever happens, he will never again know the sense of
joy nor even an alleviation of any sort. He lived not so much for the
sake of his children as to cherish within himself the cult of her whom
he had lost and to perpetuate a memory which now became the sole reason
of his existence.
He was unable to return to the Château d'Ornequin, where he had known
too perfect a happiness; on the other hand, he would not have strangers
live there; and he ordered Jérôme to keep the doors and shutters closed
and to lock up the Countess' boudoir and bedroom in such a way that no
one could ever enter. Jérôme was also to let the farms and to collect
the tenants' rents.
Public-domain text, read in full here on John Shaqi.
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