The Woman's Part: A Record of Munitions WorkYates, L. K.
History
The Woman's Part: A Record of Munitions Work
Yates, L. K.
Great Britain. Army -- Ordnance facilities; Weapons industry -- Employees; World War, 1914-1918 -- Women
In yet another operation, it was the machine that held one's attention.
The operator was feeding cartridges into a metal band which slipped out of
view while the process of 'tapering' was performed. When finished, a metal
thumb and index finger appeared, which delicately picked up the
cartridges, one by one, and threw them aside. The displaced cartridge then
hopped out of the machine into a box at the side of the machine.
Entranced by the many mysteries in the production of cartridges and
bullets in the shop I am recalling, I had not noticed that the
tea-interval had arrived, and suddenly found that the work-room was almost
empty of human beings. Only two girls remained. They were sitting sewing,
whilst they devoured thick slices of bread and butter out of a newspaper
packet. The woman inspector, who was my guide, turned sharply. 'What are
you doing here?' she said, 'Eating your tea in the workshop, instead of
outside, or in the canteen. Be off at once into the fresh air.' Then, with
the indignation fading out of a good-humoured face: 'What next?' she said.
Looking out of the open door at the streams of bright and happy girls
laughing, singing, dancing, and running, as only healthy youth can do in
the midst of these dark days of war, I seemed to see other and brighter
days ahead stretching out into the years of the future, when the workfolk
would all taste a fuller joy in life. With renewed hope, I gave her back
her challenge: 'Well! and what next?'
CHAPTER IV: AT WORK--II
THE MAKING OF AIRCRAFT--OPTICAL INSTRUMENTS--IN THE SHIPYARDS
_The Making of Aircraft_
The production of aircraft, undertaken in this country on a large scale
only since the outbreak of the war, has fallen more naturally into the
hands of women. The work is for the most part light, and the new
factories, often erected in open country, are bright, airy, and largely
free from the noise of machinery. Added to these special attractions to
the woman worker, there is apparently a distinct appeal to the youth of
both sexes and to women of all ages in anything connected with the art of
flying.
It is no secret that our output of aircraft is steadily increasing, and
that during 1917 it has been doubled. In one factory in London, the output
has been trebled within three months; in Lancashire, there are instances
in which it has been doubled, and other areas show an improved production
varying from 25 to 50 per cent. Yet the increased demand for labour for
this work has always been immediately answered, and there is a steady flow
into the factories of the best type of women workers from every class of
society. Here and there, one already meets a woman who, during the short
period of the war, has risen to be manager or partner in an aircraft
factory. Unconsciously, such a one emphasizes the fact that the mastery of
the element of the future is likely to be an affair of both the sexes.
Public-domain text, read in full here on John Shaqi.
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