The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
In the countries of Latin blood and spirit they start from a principle
absolutely the reverse. Women are not at all “men for the nonce”; in the
picturesque words of good François de Moulins, addressed to his pupil
Francis I., “Never forget that women came from Adam’s side, not from
his feet.” They are not substitutes for men, but have their own proper
sphere. Castiglione has given us the typical formula in his famous book
_The Courtier_. “Man,” says he, “has for his portion physical strength
and external activities; all doing must be his, all inspiration must
come from woman.” She is, in his own words, the “motive force.” One
recalls the smiling remark of the charming Duchess of Burgundy: “I am
always delighted when it is women who govern, because then it is men who
direct.” But according to Castiglione, the world ought to show the very
opposite: men should govern and women direct; men act, women think, or
mayhap dream. The former should have the material tasks of administration
and practical affairs; the latter the spiritual and idealist realm.
Looked at in this way, it is obvious how much larger the woman’s part
suddenly becomes, and what supreme importance it holds in the life of the
world. Instead of serving her husband merely as the material replenisher
of his stock and an under-manager for his affairs, the woman will carve
out her own path and enjoy personal freedom, and will be the better
able to lift up her head at home and in society for knowing that she
represents there something more than the flesh; she will be the soul, the
seeker after noble thoughts—thoughts necessary to happiness, but which
the practical spirit of men scarcely permits them to pursue. There will
be no question (to the great disappointment of certain modern aesthetes,
who after all profit very largely by the railways and telegraphs) of
declaring a relentless war against industry, manufactures, the business
of administration; this unpleasing but serviceable sphere must simply be
left to men, and upon this sordid earthly existence must be erected the
frail edifice of general happiness—the true life—a life of enthusiasm,
beauty, and thought; in other words, we must relax the bonds of the
material life, take time to fetch our breath, and infuse into realism a
new and brighter spirit by means of the love of the beautiful. That is
women’s task; in the words of Ecclesiastes, “Their hearts are snares and
nets, their hands are as chains.” They are the queens of happiness, and
they must compel us to be happy and to enjoy the happiness necessary to
us.
With this end in view, the women of the Renaissance formed a league:
they accomplished on behalf of the rights of the heart a sort of _coup
d’état_, the story of which we are about to relate. Finally, no one was
happy after all. But it is interesting to know why.
Public-domain text, read in full here on John Shaqi.
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