The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Tiphernus died about 1466. From that time forth science was flouted. It
gave the world, nevertheless, what it was destined to give—fire-arms,
Greece, many admirable things—everything but happiness, which it had
never undertaken to provide. And it was precisely on this point that
the great mistake was made. What, men asked, is the good of learning,
money, labour, or even semblances of joy, if we are oppressed by a life
of contention and heaviness? Why are we born with wits, why should we
rule multitudes, thrill men’s souls, dwell in palaces, if our hearts
are empty? Suppose we wrest Nature’s secrets from her, work every vein
of ore, crop every blade of grass: suppose the race of men to form one
magnificent herd, fat and flourishing, and even peaceably inclined—what
is the good of it all if there is no joy? All things live by love; the
heart makes itself heard above the claims of work, above the intellect,
demanding for life a recompense, a goal. We perish for lack of something
to love; out of mere self-pity we ought to bestow on ourselves the alms
of life, which is love. All is vanity save this vanity, for before our
birth, until our death, throughout our whole existence, it bears in front
of us the torch of life.
Perhaps it might be better if men could be governed mechanically and
reasonably from an armchair in the library by dint of syllogisms.
Unhappily, they love only what pleases them; they are big, greedy
children, listless and lazy if you talk to them of reason, but ready to
break their necks in pursuit of an illusion. Hence it is very necessary
to choose one’s illusions well, and well to employ them.
The eternal illusion is love.
But what _is_ love? That is the real question. If it is a Petrarchan
flower, we crush it under our steel-tipped boots; if it is a coarse
sensation, it crushes us, and we have to wrestle with it. Thus we must
arrive at a new fact—a love which is neither a beautiful superfluity nor
a vile sensual thing; which, in short, is a direct outcome of the worship
of beauty.
We must discover a new sensibility, lofty, strong, fruitful, spiritual,
almost sacerdotal, which serves to link minds together in their common
pursuit of a high ideal. To us French this intricate problem seemed
highly discouraging and perhaps silly, but its importance was recognised
in Italy, the classic ground of love’s quintessences, where even to-day
a candidate for Parliament had better speak of love than of the sugar
bounties.
Public-domain text, read in full here on John Shaqi.
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