The women of the Renaissance : $b A study of feminism — John Shaqi
The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
The science of sensibility is to most men a fountain sealed; they always
fancy themselves to be too robust! They march straight on in parallel
lines; military devotion is their virtue; women alone can serve as a
bond of union, soften and beautify everything, cover with a varnish of
glory and disinterestedness the things that need it. Hence, besides
their mission at home, they may be said to have a social part of the
first importance to play; the more sensible men become to their social
influence, the higher is man’s civilisation.
Now at the very period when France decided to move, the women of Italy
had long since shown what could be expected of women in this direction.
They often flaunted sentiments which are open to the charge of audacity
or naïveté, primitive sentiments, à la Botticelli or Perugino, crude to
a degree; there were manifestly many women of young and fresh affections
who opposed to the simplicity of brute force that charming form of
simplicity, that adorable confidence in the things of life, which the
worship of the beautiful gives to unsoiled souls. They are to the
women of the eighteenth century what Memling is to Watteau. Properly
to understand their spiritual condition we should have to do as they
did—solve the problem of feminism in the feminine way, be women, and more
than women—arch-women.
The fulfilment of their natural vocation, namely, to look after the
amenities of life, was a pretty extensive office, in a country where
art and taste had so prominent a place. But they went farther. They
inculcated moral strength through beauty; they dreamt of raising men,
of plunging into their life like rescuing angels. Some critics say that
the intervention of women is always a proof of men’s decadence, and
that when they save us, we are in parlous need of saving. Unhappily
that is our normal state. Women assuredly represent the Red Cross of
society; it is the duty of us men to be purblind and case-hardened to the
brutalities of life, or even to find a certain happiness therein, and to
remain cold like a sword-blade; women have no right to escape wounding
by the despicable and shameful things among us. They would prefer, you
say, to remain quietly gathering flowers behind their park walls; that
is perfectly true; they only act from a sense of duty, because they no
longer wish to serve as the stake of battles, because there is no misery,
no injustice, no disgrace for which a woman of heart does not feel
responsible. In fulfilling this mission they do not humble us; on the
contrary, we can have no higher ambition than to desire peace, no action
can less degrade us than to bend in respect before the noblest things in
the world—weakness and sentiment. It was the conviction of all the sons
of the Renaissance, and of its great-grandsons (even the last and most
sceptical of them, like M. Mérimée), that sentiment has higher lights
than reason, and that certain intuitions of the heart unfold to us, as
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