That evening, when the nurse did not succeed in quieting Dilette,
who was for some reason out of sorts, Raymonde insisted on putting
the baby to sleep herself, a privilege which she had always enjoyed
at the chateau. As a lullaby she sang in a low voice, to the tune of
“Malbrough,” a romance of Chérubin. When she came to the stanza:
There, by a fountain green,
O, my heart, my heart, it grieves!
There had my lover been,
And my tears were full, I ween.
And my grief believes.
whether it was because of the contagious sadness of the verses, the
memory of our own Green Fountain, or a presentiment of the dangers that
threw their shadows across our love, I do not know, but she stopped.
I was in the next room and the curtains between us were drawn back.
I heard what sounded like a stifled sigh. Awakened by the silence,
Dilette began to cry again, and my wife slowly continued her song.
* * *
The occasion I had chosen for presenting her to society was a reception
given one evening by Madame de Saunois, at whose house in the old days
I was a frequent guest. Mme. de Saunois is a lady who has attained the
summit of that social elegance which springs from exquisite dressing,
novel entertainment, clever conversation and the careful cultivation of
every natural and artificial charm. Though her age may be subject to
some debate, her name and fortune admit of no discussion. Her visiting
list is restricted and select, and her invitations are proportionately
sought for. Outwardly manners and taste are the same at her house as
anywhere else but she would regard herself as old-fashioned if she
were thought for one moment to set any limit to liberty of conduct or
opinion. She accepts every irregularity of mind or heart if only it is
perpetrated by one of the socially elect. According to my ideas at that
time her drawing-room was just the one in which I could count upon a
gratifying reception for Raymonde.
Promptly upon our arrival in Paris I besought my wife to put herself in
the hands of one of the big dressmakers. As she seemed almost averse to
this idea I myself looked over her wardrobe with her before we started
out to order anything new.
“What’s this?” I asked, picking up a cheap looking woollen skirt. I did
not recognise the little wedding dress that had produced such a sweet
and simple effect in the Sleeping Woods. Alas, effects change with
place and mood: in Paris the little dress was not the same at all.
Guessing my thoughts she said with a blush, “I shall never wear it
again, you may be sure.”
“Why not give it away to some poor girl to whom it would be of some
use?” I said, with the best intentions in the world.
Raymonde’s flush, which I did not yet understand, faded suddenly. I saw
her cheek whiten.
“I was a poor girl once,” she said.
“Oh, but you must forget that.”
“No, let me have my memories. If ever I am tempted to become proud some
day, they will keep me humble.”
Public-domain text, read in full here on John Shaqi.
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