These verses are verjuiced, unwarranted, unfair. Tom Brown too in his
_Letters from the Dead to the Living_ has a long epistle ‘From worthy
Mrs. Behn lvi the Poetess, to the famous Virgin Actress,’ (Mrs.
Bracegirdle), in which the Diana of the stage is crudely rallied. ‘The
Virgin’s Answer to Mrs. Behn’ contains allusions to Aphra’s intrigue
with some well-known dramatic writer, perhaps Ravenscroft, and speaks
of many an other amour beside. But then for a groat Brown would have
proved Barbara Villiers a virgin, and taxed Torquemada with
unorthodoxy. Brown has yet another gird at Mrs. Behn in his _The Late
Converts Exposed, or the Reason of Mr. Bays’s Changing his Religion
&c._ Considered in a Dialogue (1690, a quarto tract; and reprinted in a
Collection of Brown’s _Dialogues_, 8vo, 1704). Says Eugenius: ‘You may
remember Mr. Bays, how the famed _Astrea_, once in her Life-time
unluckily lighted upon such a Sacred Subject, and in a strange fit of
Piety, must needs attempt a Paraphrase on the Lord’s Prayer. But alas
poor Gentlewoman! She had scarce travell’d half way, when _Cupid_
served her as the Cut-Purse did the Old Justice in _Bartholmew_ Fair,
tickled her with a Straw in her Ear, and then she could not budge one
foot further, till she had humbly requested her Maker to grant her a
private Act of Toleration for a little Harmless Love, otherwise called
Fornication.’ There is a marginal note to this passage: ‘Mrs. _Behn’s_
Miscell. Printed by _Jos. Hindmarsh_.’ In _a Letter from the Dead
Thomas Brown to the Living Heraclitus_ (1704), a sixpenny tract, this
wag is supposed to meet Mrs. Behn in the underworld, and anon
establishes himself on the most familiar terms with his ‘dear _Afra_’;
they take, indeed, ‘an extraordinary liking to one lvii another’s
Company’ for ‘good Conversation is not so overplentiful in these
Parts.’ A bitterer attack yet, _An Epistle to Julian_ (c. 1686-7),
paints her as ill, feeble, dying:—
Doth that lewd Harlot, that Poetick Quean,
Fam’d through _White Fryars_, you know who I mean,
Mend for reproof, others set up in spight,
To flux, take glisters, vomits, purge and write.
Long with a Sciatica she’s beside lame,
Her limbs distortur’d, Nerves shrunk up with pain,
And therefore I’ll all sharp reflections shun,
Poverty, Poetry, Pox, are plagues enough for one.
Public-domain text, read in full here on John Shaqi.
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