The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
Hereupon the dwarf laughed (the king was too confirmed a joker to object
to any one’s laughing), and displayed a set of large, powerful, and very
repulsive teeth. Moreover, he avowed his perfect willingness to swallow as
much wine as desired. The monarch was pacified; and having drained another
bumper with no very perceptible ill effect, Hop-Frog entered at once, and
with spirit, into the plans for the masquerade.
“I cannot tell what was the association of idea,” observed he, very
tranquilly, and as if he had never tasted wine in his life, “but just
after your majesty, had struck the girl and thrown the wine in her face—just
after your majesty had done this, and while the parrot was making that odd
noise outside the window, there came into my mind a capital diversion—one
of my own country frolics—often enacted among us, at our
masquerades: but here it will be new altogether. Unfortunately, however,
it requires a company of eight persons and—”
“Here we are!” cried the king, laughing at his acute discovery of the
coincidence; “eight to a fraction—I and my seven ministers. Come!
what is the diversion?”
“We call it,” replied the cripple, “the Eight Chained Ourang-Outangs, and
it really is excellent sport if well enacted.”
“We will enact it,” remarked the king, drawing himself up, and lowering
his eyelids.
“The beauty of the game,” continued Hop-Frog, “lies in the fright it
occasions among the women.”
“Capital!” roared in chorus the monarch and his ministry.
“I will equip you as ourang-outangs,” proceeded the dwarf; “leave all that
to me. The resemblance shall be so striking, that the company of
masqueraders will take you for real beasts—and of course, they will
be as much terrified as astonished.”
“Oh, this is exquisite!” exclaimed the king. “Hop-Frog! I will make a man
of you.”
“The chains are for the purpose of increasing the confusion by their
jangling. You are supposed to have escaped, en masse, from your keepers.
Your majesty cannot conceive the effect produced, at a masquerade, by
eight chained ourang-outangs, imagined to be real ones by most of the
company; and rushing in with savage cries, among the crowd of delicately
and gorgeously habited men and women. The _contrast_ is inimitable.”
“It must be,” said the king: and the council arose hurriedly (as it was
growing late), to put in execution the scheme of Hop-Frog.
Public-domain text, read in full here on John Shaqi.
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