The Works of Edgar Allan Poe — Volume 5 — John Shaqi
The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
His mode of equipping the party as ourang-outangs was very simple, but
effective enough for his purposes. The animals in question had, at the
epoch of my story, very rarely been seen in any part of the civilized
world; and as the imitations made by the dwarf were sufficiently
beast-like and more than sufficiently hideous, their truthfulness to
nature was thus thought to be secured.
The king and his ministers were first encased in tight-fitting stockinet
shirts and drawers. They were then saturated with tar. At this stage of
the process, some one of the party suggested feathers; but the suggestion
was at once overruled by the dwarf, who soon convinced the eight, by
ocular demonstration, that the hair of such a brute as the ourang-outang
was much more efficiently represented by _flax_. A thick coating of
the latter was accordingly plastered upon the coating of tar. A long
chain was now procured. First, it was passed about the waist of the king,
_and tied;_ then about another of the party, and also tied; then
about all successively, in the same manner. When this chaining
arrangement was complete, and the party stood as far apart from each
other as possible, they formed a circle; and to make all things appear
natural, Hop-Frog passed the residue of the chain in two diameters, at
right angles, across the circle, after the fashion adopted, at the
present day, by those who capture chimpanzees, or other large apes, in
Borneo.
The grand saloon in which the masquerade was to take place, was a circular
room, very lofty, and receiving the light of the sun only through a single
window at top. At night (the season for which the apartment was especially
designed) it was illuminated principally by a large chandelier, depending
by a chain from the centre of the sky-light, and lowered, or elevated, by
means of a counter-balance as usual; but (in order not to look unsightly)
this latter passed outside the cupola and over the roof.
The arrangements of the room had been left to Trippetta’s superintendence;
but, in some particulars, it seems, she had been guided by the calmer
judgment of her friend the dwarf. At his suggestion it was that, on this
occasion, the chandelier was removed. Its waxen drippings (which, in
weather so warm, it was quite impossible to prevent) would have been
seriously detrimental to the rich dresses of the guests, who, on account
of the crowded state of the saloon, could not all be expected to keep from
out its centre; that is to say, from under the chandelier. Additional
sconces were set in various parts of the hall, out of the way, and a
flambeau, emitting sweet odor, was placed in the right hand of each of the
Caryaides [Caryatides] that stood against the wall—some fifty or
sixty altogether.
Public-domain text, read in full here on John Shaqi.
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