The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
The eight ourang-outangs, taking Hop-Frog’s advice, waited patiently until
midnight (when the room was thoroughly filled with masqueraders) before
making their appearance. No sooner had the clock ceased striking, however,
than they rushed, or rather rolled in, all together—for the
impediments of their chains caused most of the party to fall, and all to
stumble as they entered.
The excitement among the masqueraders was prodigious, and filled the heart
of the king with glee. As had been anticipated, there were not a few of
the guests who supposed the ferocious-looking creatures to be beasts of
some kind in reality, if not precisely ourang-outangs. Many of the women
swooned with affright; and had not the king taken the precaution to
exclude all weapons from the saloon, his party might soon have expiated
their frolic in their blood. As it was, a general rush was made for the
doors; but the king had ordered them to be locked immediately upon his
entrance; and, at the dwarf’s suggestion, the keys had been deposited with
him.
While the tumult was at its height, and each masquerader attentive only to
his own safety (for, in fact, there was much real danger from the pressure
of the excited crowd), the chain by which the chandelier ordinarily hung,
and which had been drawn up on its removal, might have been seen very
gradually to descend, until its hooked extremity came within three feet of
the floor.
Soon after this, the king and his seven friends having reeled about the
hall in all directions, found themselves, at length, in its centre, and,
of course, in immediate contact with the chain. While they were thus
situated, the dwarf, who had followed noiselessly at their heels, inciting
them to keep up the commotion, took hold of their own chain at the
intersection of the two portions which crossed the circle diametrically
and at right angles. Here, with the rapidity of thought, he inserted the
hook from which the chandelier had been wont to depend; and, in an
instant, by some unseen agency, the chandelier-chain was drawn so far
upward as to take the hook out of reach, and, as an inevitable
consequence, to drag the ourang-outangs together in close connection, and
face to face.
The masqueraders, by this time, had recovered, in some measure, from their
alarm; and, beginning to regard the whole matter as a well-contrived
pleasantry, set up a loud shout of laughter at the predicament of the
apes.
“Leave them to me!” now screamed Hop-Frog, his shrill voice making itself
easily heard through all the din. “Leave them to me. I fancy I know them.
If I can only get a good look at them, I can soon tell who they are.”
Public-domain text, read in full here on John Shaqi.
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