I was at the time twenty-five years of age, and I was making daubs along the coast of Normandy. I call "making daubs" that wandering about, with a bag on one's back, from mountain to mountain, under the pretext of studying and of sketching nature. I know nothing more enjoyable than that happy-go-lucky wandering life, in which one is perfectly free, without shackles of any kind, without care, without preoccupation, without thinking even of to-morrow. One goes in any direction one pleases, without any guide, save his fancy, without any counselor save his eyes. One pulls up, because a running brook seduces one, because one is attracted, in front of an inn, by the smell of potatoes frying. Sometimes it is the perfume of clematis which decides one in his choice, or the naive glance of the servant at an inn. Do not despise me for my affection for these rustics. These girls have a soul as well as feeling, not to mention firm cheeks and fresh lips; while their hearty and willing kisses have the flavor of wild fruit. Love always has its price, come whence it may. A heart that beats when you make your appearance, an eye that weeps when you go away, are things so rare, so sweet, so precious, that they must never be despised. I have had rendezvoux in ditches in which cattle repose, and in barns among the straw, still steaming from the heat of the day. I have recollections of canvas being spread on rude and elastic benches, and of hearty and fresh, free kisses, more delicate and unaffectedly sincere than the subtle attractions of charming and distinguished women. But what one loves most amidst all these varied adventures is the country, the woods, the risings of the sun, the twilight, the light of the moon. These are, for the painter, honeymoon trips with nature. One is alone with her in that long and tranquil rendezvous. You go to bed in the fields, amidst marguerites and wild poppies, and, with eyes wide open, you watch the going down of the sun, and descry in the distance the little village, with its pointed clock tower, which sounds the hour of midnight. You sit down by the side of a spring which gushes out from the foot of an oak, amidst a covering of fragile herbs, upright and redolent of life. You go down on your knees, bend forward, you drink that cold and pellucid water which wets your moustache and nose, you drink it with a physical pleasure, as though you kissed the spring, lip to lip. Sometimes, when you encounter a deep hole, along the course of these tiny brooks, you plunge into it, quite naked, and you feel on your skin, from head to foot, like an icy and delicious caress, the lovely and gentle quivering of the current.