The Works of Guy de Maupassant, Volume 4Maupassant, Guy de
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The Works of Guy de Maupassant, Volume 4
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
"When he came into my room the next morning, I looked him closely in the
face, and he hung his head, like a man who was guilty and in confusion.
Did he guess that I knew? I, however, asked him, suddenly:
"'So you are married, Mohammed?' and I saw that he got red, and he
stammered out: 'No, _mo'ssieuia_!'
"I used to make him speak French to me, and to give me Arabic lessons,
which was often productive of a most incoherent mixture of languages;
however, I went on:
"'Then why is there a woman in your tent?'
"'She comes from the South,' he said, in a low, apologetic voice.
"'Oh! So she comes from the South? But that does not explain to me how
she comes to be in your tent.'
"Without answering my question, he continued:
"'She is very pretty.'
"'Oh! Indeed. Another time, please, when you happen to receive a pretty
woman from the South, you will take care that she comes to my _gourbi_,
and not to yours. You understand me, Mohammed?'
"'Yes, _mo'ssieuia_,' he repeated, seriously.
"I must acknowledge that during the whole day I was in a state of
aggressive excitement at the recollection of that Arab girl lying on the
red carpet, and when I went in at dinner time, I felt very strongly
inclined to go to Mohammed's tent again. During the evening, he waited
on me just as usual, and hovered round me with his impassive face, and
several times I was very nearly asking him whether he intended to keep
that girl from the South, who was very pretty, in his camel skin tent for
a long time.
"Towards nine o'clock, still troubled with that longing for female
society which is as tenacious as the hunting instinct in dogs, I went out
to get some fresh air, and to stroll about a little round that cone of
brown skin through which I could see a brilliant speck of light. I did
not remain long, however, for fear of being surprised by Mohammed in the
neighborhood of his dwelling. When I went in an hour later, I clearly saw
his outline in the tent, and then, taking the key out of my pocket, I
went into the _bordj_, where besides myself, there slept my steward, two
French laborers, and an old cook whom I had picked up in the Algiers. As
I went up stairs, I was surprised to see a streak of light under my door,
and when I opened it, I saw a girl with the face of a statue sitting on a
straw chair by the side of the table, on which a wax candle was burning;
she was bedizened with all those silver gew-gaws which women in the South
wear on their legs, arms, breast, and even on their stomach. Her eyes,
which were tinged with kohl, to make them look larger, regarded me
earnestly, and four little blue spots, finely tatooed on her skin, marked
her forehead, her cheeks, and her chin. Her arms, which were loaded with
bracelets, were resting on her thighs, which were covered by the long,
red silk skirt that she wore.
"When she saw me come in, she got up and remained standing in front of
me, covered with her barbaric jewels, in an attitude of proud submission.
Public-domain text, read in full here on John Shaqi.
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