The Works of Henry Fielding, vol. 12Fielding, Henry
General
The Works of Henry Fielding, vol. 12
Fielding, Henry
English literature -- 18th century
_Trap_. Why, behind the scenes, sir. What, would you have
everything brought upon the stage? I intend to bring ours to the
dignity of the French stage; and I have Horace's advice on my
side. We have many things both said and done in our comedies which
might be better performed behind the scenes: the French, you know,
banish all cruelty from their stage; and I don't see why we should
bring on a lady in ours practising all manner of cruelty upon her
lover: besides, sir, we do not only produce it, but encourage it; for
I could name you some comedies, if I would, where a woman is brought
in for four acts together, behaving to a worthy man in a manner for
which she almost deserves to be hanged; and in the fifth, forsooth,
she is rewarded with him for a husband: now, sir, as I know this hits
some tastes, and am willing to oblige all, I have given every lady a
latitude of thinking mine has behaved in whatever manner she would
have her.
_Sneer_. Well said, my little Trap! but pray let us have the
scene.
_Trap_. Go on, miss, if you please.
_Miss M_. I have struggled with myself to put you to so many
trials of your constancy; nay, perhaps have indulged myself a little
too far in the innocent liberties of abusing you, tormenting you,
coquetting, lying, and jilting; which as you are so good to forgive,
I do faithfully promise to make you all the amends in my power, by
making you a good wife.
_Trap_. That single promise, sir, is more than any of my brother
authors had ever the grace to put into the mouth of any of their fine
ladies yet; so that the hero of a comedy is left in a much worse
condition than the villain of a tragedy, and I would choose rather to
be hanged with the one than married with the other.
_Sneer_. Faith, Trapwit, without a jest, thou art in the right
on't.
_Fust_. Go on, go on, dear sir, go on.
_Col_. And can you be so generous, so great, so good? Oh! load
not thus my heart with obligations, lest it sink beneath its burden!
Oh! could I live a hundred thousand years, I never could repay the
bounty of that last speech! Oh! my paradise!
Eternal honey drops from off your tongue!
And when you spoke, then Farinelli sung!
_Trap_. Open your arms, miss, if you please; remember you are no
coquet now: how pretty this looks! don't it? [_Mimicking her_]
Let me have one of your best embraces, I desire: do it once more,
pray--There, there, that's pretty well; you must practise this
behind the scenes.
[_Exeunt_ Miss M. _and_ Col.]
_Sneer_. Are they gone to practice, now, Mr Trapwit?
_Trap_. You're a joker, Mr Sneerwell; you're a joker.
_Enter_ Lord PLACE, Mayor, _and_ Mrs Mayoress.
_Place_. I return you my hearty thanks, Mr Mayor, for this
return! and in return of the favour, I will certainly do you a very
good turn very shortly.
_Fust_. I wish the audience don't do you an ill turn,
Mr Trapwit, for that last speech.
_Sneer_. Yes, faith, I think I would cut out a turn or two.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account