The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
The house, of one story above the ground floor, had at the top a sculptured
frieze, on which rested a roof sloping up from all the four sides to a flat
space at the top. The sides were pierced by dormer-windows adorned with
architraves and side-posts, which some great artist had chiseled into
delicate arabesques. All the three windows of the first-floor rooms were
equally conspicuous for this embroidery in stone, thrown into relief by the
red-brick walls. On the ground floor a double flight of outside steps,
elegantly sculptured--the balcony being remarkable for a true lovers'
knot--led to the house door, decorated in the Venetian style with stone
cut into pointed lozenges, a form of ornament that was repeated on the
window-jambs on each side of the door.
A garden laid out in the fashion of the time, and full of rare flowers,
occupied a space behind the house of equal extent with the forecourt. A
vine hung over the walls. A silver pine stood in the centre of a grass
plot; the flower borders were divided from the turf by winding paths
leading to a little bower of clipped yews at the further end. The garden
walls, covered with a coarse mosaic of colored pebbles, pleased the eye by
a richness of color that harmonized with the hues of the flowers. The
garden front of the house, like the front to the court, had a pretty
balcony from the middle window over the door; and on both façades alike the
architectural treatment of this middle window was carried up to the frieze
of the cornice, with a bow that gave it the appearance of a lantern. The
sills of the other windows were inlaid with fine marbles let into the
stone.
Notwithstanding the perfect taste evident in this building, it had a look
of gloom. It was shut out from the open day by neighboring houses and the
roofs of the Hôtel d'Alençon, which cast their shadow over the courtyard
and garden; then absolute silence prevailed. Still, this silence, this
subdued light, this solitude, were restful to a soul that could give itself
up to a single thought, as in a cloister where we may meditate, or in a
snug home where we may love.
Who can fail now to conceive of the interior elegance of this dwelling, the
only spot in all his kingdom where the last Valois but one could pour out
his heart, confess his sufferings, give play to his taste for the arts, and
enjoy the poetry he loved--pleasures denied him by the cares of his most
ponderous royalty. There alone were his lofty soul and superior qualities
appreciated; there alone, for a few brief months, the last of his life,
could he know the joys of fatherhood, to which he abandoned himself with
the frenzy which his presentiment of an imminent and terrible death lent to
all his actions.
Public-domain text, read in full here on John Shaqi.
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