The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
When men of learning are struck by a historical blunder, and try to correct
it, "Paradox!" is generally the cry; but to those who thoroughly examine
the history of modern times, it is evident that historians are privileged
liars, who lend their pen to popular beliefs, exactly as most of the
newspapers of the day express nothing but the opinions of their readers.
Historical independence of thought has been far less conspicuous among lay
writers than among the priesthood. The purest light thrown on history has
come from the Benedictines, one of the glories of France--so long, that is
to say, as the interests of the monastic orders are not in question. Since
the middle of the eighteenth century, some great and learned
controversialists have arisen who, struck by the need for rectifying
certain popular errors to which historians have lent credit, have published
some remarkable works. Thus Monsieur Launoy, nicknamed the Evicter of
Saints, made ruthless war on certain saints who have sneaked into the
Church Calendar. Thus the rivals of the Benedictines, the two little known
members of the Académie des Inscriptions et Belles-lettres, began their
_mémoires_, their studious notes, full of patience, erudition, and logic,
on certain obscure passages of history. Thus Voltaire, with an unfortunate
bias, and sadly perverted passions, often brought the light of his
intellect to bear on historical prejudices. Diderot, with this end in view,
began a book--much too long--on a period of the history of Imperial Rome.
But for the French Revolution, criticism, as applied to history, might
perhaps have laid up the materials for a good and true history of France,
for which evidence had long been amassed by the great French Benedictines.
Louis XVI., a man of clear mind, himself translated the English work,
which so much agitated the last century, in which Walpole tried to explain
the career of Richard III.
How is it that persons so famous as kings and queens, so important as
generals of great armies, become objects of aversion or derision? Half the
world hesitates between the song on Marlborough and the history of England,
as they do between popular tradition and history as concerning Charles IX.
At all periods when great battles are fought between the masses and the
authorities, the populace creates an _ogresque_ figure--to coin a word for
the sake of its exactitude. Thus in our own time, but for the _Memorials of
Saint-Helena_, and the controversies of Royalists and Bonapartists, there
was scarcely a chance but that Napoleon would have been misunderstood.
Another Abbé de Pradt or two, a few more newspaper articles, and Napoleon
from an Emperor would have become an Ogre.
Public-domain text, read in full here on John Shaqi.
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