The works of John Dryden, now first collected in eighteen volumes. Volume 11Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 11
Dryden, John
English literature
Her death was unexpectedly sudden, and took place in a ball-room in her
own house; a circumstance which our author has hardly glanced at,
although capable of striking illustration; and although one might have
thought he would have grasped at whatever could assist him in executing
the difficult task, of an elegy written by desire of a nobleman whom he
did not know, in memory of a lady whom he had never seen. It is to be
presumed, that the task imposed was handsomely recompensed; for we can
hardly conceive one in itself more unpleasant or unprofitable.
Notwithstanding Dryden's professions, that he "swam with the tide" while
composing this piece, and that the variety and multitude of his similies
were owing to the divine _afflatus_ and the influence of his subject, we
may be fairly permitted to doubt, whether they did not rather originate
in an attempt to supply the lack of real sympathy, by the indulgence of
a luxuriant imagination. The commencement has been rather severely
censured by Dr Johnson; the comparison, he says, contains no
illustration. As a king would be lamented, Eleonora was lamented:
"This," observes he, "is little better than to say of a shrub, that it
is as green as a tree; or of a brook, that it waters a garden, as a
river waters a country." But, I presume, the point on which Dryden meant
the comparison to depend, was, the extent of the lamentation occasioned
by Eleonora's death; in which particular the simile conveyed an
illustration as ample, as if Dryden had said of a myrtle, it was as tall
as an oak, or of a brook, it was as deep as the Thames.
The poem is certainly totally deficient in interest; for the character
has no peculiarity of features: But, considered as an abstract example
of female perfection, we may admire the ideal Eleonora, as we do the
fancy-piece of a celebrated painter, though with an internal
consciousness that the original never existed.
"Eleonora" first appeared in quarto, in 1692, probably about the end of
autumn; as Dryden alludes to the intervention of some months between
Lord Abingdon's commands and his own performance.
TO
THE RIGHT HONOURABLE
THE EARL OF ABINGDON, &c.[85]
MY LORD,
Public-domain text, read in full here on John Shaqi.
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