to which he added, in that transport, _Martemque accendere cantu_: and never was any line more nobly finished; for the reasons which I have given in the Book of Painting. On these considerations I have shunned hemisticks; not being willing to imitate Virgil to a fault, like Alexander's courtiers, who affected to hold their necks awry, because he could not help it.[84] I am confident your lordship is by this time of my opinion, and that you will look on those half lines hereafter, as the imperfect products of a hasty Muse: like the frogs and serpents in the Nile; part of them kindled into life, and part a lump of unformed unanimated mud. I am sensible that many of my whole verses are as imperfect as those halves, for want of time to digest them better: but give me leave to make the excuse of Boccace, who, when he was upbraided that some of his novels had not the spirit of the rest, returned this answer, that Charlemagne, who made the paladins, was never able to raise an army of them. The leaders may be heroes, but the multitude must consist of common men. I am also bound to tell your lordship, in my own defence, that, from the beginning of the First Georgic to the end of the last Æneïd, I found the difficulty of translation growing on me in every succeeding book: for Virgil, above all poets, had a stock, which I may call almost inexhaustible, of figurative, elegant, and sounding words. I, who inherit but a small portion of his genius, and write in a language so much inferior to the Latin, have found it very painful to vary phrases, when the same sense returns upon me. Even he himself, whether out of necessity or choice, has often expressed the same thing in the same words, and often repeated two or three whole verses, which he had used before. Words are not so easily coined as money; and yet we see that the credit, not only of banks, but of exchequers, cracks, when little comes in, and much goes out. Virgil called upon me in every line for some new word: and I paid so long, that I was almost bankrupt; so that the latter end must needs be more burdensome than the beginning or the middle; and, consequently, the twelfth Æneïd cost me double the time of the first and second. What had become of me, if Virgil had taxed me with another book? I had certainly been reduced to pay the public in hammered money, for want of milled; that is, in the same old words which I had used before: and the receivers must have been forced to have taken any thing, where there was so little to be had.[85]