The life of the Gods being such as I have described, our religious ordinances are in admirable harmony with the divine requirements. Our first care has been to supply each God with his sacred grove, his holy hill, and his own peculiar bird or plant. The next step was to assign them their various sacred cities. Apollo has the freedom of Delphi and Delos, Athene that of Athens (there is no disputing _her_ nationality); Hera is an Argive, Rhea a Mygdonian, Aphrodite a Paphian. As for Zeus, he is a Cretan born and bred—and buried, as any native of that island will show you. It was a mistake of ours to suppose that Zeus was dispensing the thunder and the rain and the rest of it;—he has been lying snugly underground in Crete all this time. As it would never have done to leave the Gods without a hearth and home, temples were now erected, and the services of Phidias, Polyclitus, and Praxiteles were called in to create images in their likeness. Chance glimpses of their originals (but where obtained I know not) enabled these artists to do justice to the beard of Zeus, the perpetual youth of Apollo, the down on Hermes's cheek, Posidon's sea-green hair, and Athene's flashing eyes; with the result that on entering the temple of Zeus men believe that they see before them, not Indian ivory, nor gold from a Thracian mine, but the veritable son of Cronus and Rhea, translated to earth by the hand of Phidias, with instructions to keep watch over the deserted plains of Pisa, and content with his lot, if, once in four years, a spectator of the games can snatch a moment to pay him sacrifice. And now the altars stand ready; proclamation has been made, and lustration duly performed. The victims are accordingly brought forward—an ox from the plough, a ram or a goat, according as the worshipper is a farmer, a shepherd, or a goatherd; sometimes it is only frankincense or a honey cake; nay, a poor man may conciliate the God by merely kissing his hand. But it is with the priests that we are concerned. They first make sure that the victim is without blemish, and worthy of the sacrificial knife; then they crown him with garlands and lead him to the altar, where he is slaughtered before the God's eyes, to the broken accompaniment of his own sanctimonious bellowings, most musical, most melancholy. The delight of the Gods at such a spectacle, who can doubt?