'In the next picture, a tale of retributive justice is dramatically set forth. The painter seems to have taken his hint from Euripides or Sophocles; each of them has portrayed this incident. The two young men are friends: Pylades of Phocis, and Orestes, who is thought to be dead. They have stolen into the palace unobserved, and together they slay Aegisthus. Clytemnestra has already been dispatched: her body lies, half-naked, upon a bed; all the household stand aghast at the deed; some cry out, others look about for means of escape. A fine thought of the painter's: the matricide is but slightly indicated, as a thing achieved: with the slaying of the paramour, it is otherwise; there is something deliberate in the manner in which the lads go about their work. 'Next comes a more tender scene. We behold a comely God, and a beautiful boy. The boy is Branchus: sitting on a rock, he holds out a hare to tease his dog, who is shown in the act of jumping for it. Apollo looks on, well pleased: half of his smile is for the dog's eagerness, and half for the mischievous boy. 'Once more Perseus; an earlier adventure, this time. He is cutting off Medusa's head, while Athene screens him from her sight. Although the blow is struck, he has never seen his handiwork, only the reflection of the head upon the shield; he knows the price of a single glance at the reality. 'High upon the middle wall, facing the door, a shrine of Athene is modelled. The statue of the Goddess is in white marble. She is not shown in martial guise; it is the Goddess of War in time of peace. 'We have seen Athene in marble: next we see her in painting. She flies from the pursuit of amorous Hephaestus; it was to this moment that Erichthonius owed his origin. 'The next picture deals with the ancient story of Orion. He is blind, and on his shoulder carries Cedalion, who directs the sightless eyes towards the East. The rising Sun heals his infirmity; and there stands Hephaestus on Lemnos, watching the cure. 'Then we have Odysseus, seeking by feigned madness to avoid joining the expedition of the Atridae, whose messengers have already appeared to summon him. Nothing could be more convincing than his plough-chariot, his ill-assorted team, and his apparent unconsciousness of all that is going forward. But his paternal feeling betrays him. Palamedes, penetrating his secret, seizes upon Telemachus, and threatens him with drawn sword. If the other can act madness, _he_ can act anger. The father in Odysseus is revealed: he is frightened into sanity, and throws aside the mask. 'Last of all is Medea, burning with jealousy, glaring askance upon her children, and thinking dreadful thoughts. See, the sword even now is in her hand: and there sit the victims, smiling; they see the sword, yet have no thought of what is to come.