But of course Artifice is rather exacting. In return for the repose she
forces--so wisely!--upon her followers when the sun is high or the moon
is blown across heaven, she demands that they should pay her long
homage at the sun's rising. The initiate may not enter lightly upon her
mysteries. For, if a bad complexion be inexcusable, to be ill-painted is
unforgivable; and, when the toilet is laden once more with the fulness
of its elaboration, we shall hear no more of the proper occupation for
women. And think, how sweet an energy, to sit at the mirror of coquetry!
See the dear merits of the toilet as shown upon old vases, or upon
the walls of Roman ruins, or, rather still, read Böttiger's alluring,
scholarly description of 'Morgenscenen im Puttzimmer Einer Reichen
Römerin.' Read of Sabina's face as she comes through the curtain of her
bed-chamber to the chamber of her toilet. The slavegirls have long been
chafing their white feet upon the marble floor. They stand, those timid
Greek girls, marshalled in little battalions. Each has her appointed
task, and all kneel in welcome as Sabina stalks, ugly and frowning, to
the toilet chair. Scaphion steps forth from among them, and, dipping a
tiny sponge in a bowl of hot milk, passes it lightly, ever so lightly,
over her mistress' face. The Poppaean pastes melt beneath it like snow.
A cooling lotion is poured over her brow, and is fanned with feathers.
Phiale comes after, a clever girl, captured in some sea-skirmish on the
Aegean. In her left hand she holds the ivory box wherein are the phucus
and that white powder, psimythium; in her right a sheaf of slim brushes.
With how sure a touch does she mingle the colours, and in what sweet
proportion blushes and blanches her lady's upturned face. Phiale is the
cleverest of all the slaves. Now Calamis dips her quill in a certain
powder that floats, liquid and sable, in the hollow of her palm.
Standing upon tip-toe and with lips parted, she traces the arch of the
eyebrows. The slaves whisper loudly of their lady's beauty, and two of
them hold up a mirror to her. Yes, the eyebrows are rightly arched. But
why does Psecas abase herself? She is craving leave to powder Sabina's
hair with a fine new powder. It is made of the grated rind of the
cedar-tree, and a Gallic perfumer, whose stall is near the Circus, gave
it to her for a kiss. No lady in Rome knows of it. And so, when four
special slaves have piled up the headdress, out of a perforated box
this glistening powder is showered. Into every little brown ringlet it
enters, till Sabina's hair seems like a pile of gold coins. Lest the
breezes send it flying, the girls lay the powder with sprinkled attar.
Soon Sabina will start for the Temple of Cybele.
Public-domain text, read in full here on John Shaqi.
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