_Imprimis_, _Will_’s coffee-house, Mr. _Haines_, is much in the same condition, as when you left it; and as a worthy gentleman has lately distributed them into their proper classes, we have four sorts of persons that resort hither; first, Such as are beaux and no wits, and these are easy to be known by their full periwigs and empty sculls; secondly, Such as are wits and no beaux, and these, not to talk of their out-sides, are distinguish’d by censuring the ill taste of the age, and railing at one another; thirdly, Such as are neither wits nor beaux, I mean your grave plodding politicians that come to us every night piping hot from the parliament-house, and finish treaties that were never thought of, and end wars before they are begun; and fourthly, Such as are both wits and beaux, to whose persons, as well as merits, you can be no stranger. In the next place, the Playhouse stands exactly where it did. Mr. _Rich_ finds some trouble in managing his mutinous subjects, but ’tis no more than what princes must expect to find in a mixt monarchy, as we take the Playhouse to be. The actors jog on after the old merry rate, and the women drink and intrigue. Mr. _Clinch_ of _Barnet_, with his pack of dogs and organ, comes now and then to their relief; and your friend Mr. _Jevon_ would hang himself, to see how much the famous Mr. _Harvey_ exceeds him in the ladder-dance. We have had an inundation of plays lately, and one of them, by a great miracle, made shift to hold out a full fortnight. The generality are either troubled with convulsion-fits, and die the first day of the representation, or by meer dint of acting, hold out to the third; which is like a consumptive man’s living by cordials, or else die a violent death, and are interr’d with the solemnity of catcalls. A merry virtuoso, who makes one of the congregation _de propagando ingenio_, designs to publish a weekly bill for the use of the two theatres, in imitation of that published by the parish clerks, and faithfully to set down what distemper every new play dies of. If the author of a play strains hard for wit, and it drivels drop by drop from him, he says it is troubled with a strangury. If it is vicious in the design and performance, and dull throughout, he intends to give it out in his bill, that it died by a knock in the cradle; if it miscarries for want of fine scenes, and due acting, why then he says, ’tis starv’d at nurse; if it expires the first or second day he reckons it among the abortive; and lastly, if it is damn’d for the feebleness of its satire, he says it dies in breeding of teeth.