The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
And yet in soberness I cared as little for the housemaid as for David
Hume. The interests of youth are rarely frank; his passions, like Noah's
dove, come home to roost. The fire, sensibility, and volume of his own
nature, that is all that he has learned to recognise. The tumultuary and
grey tide of life, the empire of routine, the unrejoicing faces of his
elders, fill him with contemptuous surprise; there also he seems to walk
among the tombs of spirits: and it is only in the course of years, and
after much rubbing with his fellow-men, that he begins by glimpses to
see himself from without and his fellows from within: to know his own
for one among the thousand undenoted countenances of the city street,
and to divine in others the throb of human agony and hope. In the
meantime he will avoid the hospital doors, the pale faces, the cripple,
the sweet whiff of chloroform--for there, on the most thoughtless, the
pains of others are burned home; but he will continue to walk, in a
divine self-pity, the aisles of the forgotten graveyard. The length of
man's life, which is endless to the brave and busy, is scorned by his
ambitious thought. He cannot bear to have come for so little, and to go
again so wholly. He cannot bear, above all, in that brief scene, to be
still idle, and by way of cure, neglects the little that he has to do.
The parable of the talent is the brief epitome of youth. To believe in
immortality is one thing, but it is first needful to believe in life.
Denunciatory preachers seem not to suspect that they may be taken
gravely and in evil part; that young men may come to think of time as of
a moment, and with the pride of Satan wave back the inadequate gift. Yet
here is a true peril; this it is that sets them to pace the graveyard
alleys and to read, with strange extremes of pity and derision, the
memorials of the dead.
Books were the proper remedy: books of vivid human import, forcing upon
their minds the issues, pleasures, busyness, importance, and immediacy
of that life in which they stand; books of smiling or heroic temper, to
excite or to console; books of a large design, shadowing the complexity
of that game of consequences to which we all sit down, the hanger-back
not least. But the average sermon flees the point, disporting itself in
that eternity of which we know, and need to know, so little; avoiding
the bright, crowded, and momentous fields of life where destiny awaits
us. Upon the average book a writer may be silent; he may set it down to
his ill-hap that when his own youth was in the acrid fermentation, he
should have fallen and fed upon the cheerless fields of Obermann. Yet to
Mr. Matthew Arnold, who led him to these pastures, he still bears a
grudge. The day is perhaps not far off when people will begin to count
"Moll Flanders," ay, or "The Country Wife," more wholesome and more
pious diet than these guide-books to consistent egoism.
Public-domain text, read in full here on John Shaqi.
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