The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
There is a certain graveyard, looked upon on the one side by a prison,
on the other by the windows of a quiet hotel; below, under a steep
cliff, it beholds the traffic of many lines of rail, and the scream of
the engine and the shock of meeting buffers mount to it all day long.
The aisles are lined with the enclosed sepulchres of families, door
beyond door, like houses in a street; and in the morning the shadows of
the prison turrets, and of many tall memorials, fall upon the graves.
There, in the hot fits of youth, I came to be unhappy. Pleasant
incidents are woven with my memory of the place. I here made friends
with a certain plain old gentleman, a visitor on sunny mornings, gravely
cheerful, who, with one eye upon the place that awaited him, chirped
about his youth like winter sparrows; a beautiful housemaid of the hotel
once, for some days together, dumbly flirted with me from a window and
kept my wild heart flying; and once--she possibly remembers--the wise
Eugenia followed me to that austere enclosure. Her hair came down, and
in the shelter of a tomb my trembling fingers helped her to repair the
braid. But for the most part I went there solitary, and, with
irrevocable emotion, pored on the names of the forgotten. Name after
name, and to each the conventional attributions and the idle dates: a
regiment of the unknown that had been the joy of mothers, and had
thrilled with the illusions of youth, and at last, in the dim sick-room,
wrestled with the pangs of old mortality. In that whole crew of the
silenced there was but one of whom my fancy had received a picture; and
he, with his comely, florid countenance, bewigged and habited in
scarlet, and in his day combining fame and popularity, stood forth, like
a taunt, among that company of phantom appellations. It was possible,
then, to leave behind us something more explicit than these severe,
monotonous, and lying epitaphs; and the thing left, the memory of a
painted picture and what we call the immortality of a name, was hardly
more desirable than mere oblivion. Even David Hume, as he lay composed
beneath that "circular idea," was fainter than a dream; and when the
housemaid, broom in hand, smiled and beckoned from the open window, the
fame of that bewigged philosopher melted like a raindrop in the sea.
Public-domain text, read in full here on John Shaqi.
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