The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21
Stevenson, Robert Louis
English literature -- 19th century
The groom's eyebrows rose as he received the order for the pony-phaeton,
and kept rising during all his preparations. Esther stood bolt upright
and looked steadily at some chickens in the corner of the yard. Master
Richard himself, thought the groom, was not in his ordinary; for in
truth, he carried the hand-bag like a talisman, and either stood
listless, or set off suddenly walking in one direction after another
with brisk, decisive footsteps. Moreover, he had apparently neglected to
wash his hands, and bore the air of one returning from a prolonged
nutting ramble. Upon the groom's countenance there began to grow up an
expression as of one about to whistle. And hardly had the carriage
turned the corner and rattled into the high road with this inexplicable
pair, than the whistle broke forth--prolonged, and low, and tremulous;
and the groom, already so far relieved, vented the rest of his surprise
in one simple English word, friendly to the mouth of Jack-tar and the
sooty pitman, and hurried to spread the news round the servants' hall of
Naseby House. Luncheon would be on the table in little beyond an hour;
and the Squire, on sitting down, would hardly fail to ask for Master
Richard. Hence, as the intelligent reader can foresee, this groom has a
part to play in the imbroglio.
Meantime, Dick had been thinking deeply and bitterly. It seemed to him
as if his love had gone from him indeed, yet gone but a little way; as
if he needed but to find the right touch or intonation, and her heart
would recognise him and be melted. Yet he durst not open his mouth, and
drove in silence till they had passed the main park-gates and turned
into the cross-cut lane along the wall. Then it seemed to him as if it
must be now, or never.
"Can't you see you are killing me?" he cried. "Speak to me, look at me,
treat me like a human man."
She turned slowly and looked him in the face with eyes that seemed
kinder. He dropped the reins and caught her hand, and she made no
resistance, although her touch was unresponsive. But when, throwing one
arm round her waist, he sought to kiss her lips, not like a lover
indeed, not because he wanted to do so, but as a desperate man who puts
his fortunes to the touch, she drew away from him, with a knot in her
forehead, backed and shied about fiercely with her head, and pushed him
from her with her hand. Then there was no room left for doubt, and Dick
saw, as clear as sunlight, that she had a distaste or nourished a grudge
against him.
"Then you don't love me?" he said, drawing back from her, he also, as
though her touch had burnt him; and then, as she made no answer, he
repeated with another intonation, imperious and yet still pathetic, "You
don't love me, _do_ you, _do_ you?"
"I don't know," she replied. "Why do you ask me? Oh, how should I know?
It has all been lies together--lies, and lies, and lies!"
Public-domain text, read in full here on John Shaqi.
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