The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21
Stevenson, Robert Louis
English literature -- 19th century
He cried her name sharply, like a man who has taken a physical hurt, and
that was the last word that either of them spoke until they reached
Thymebury Junction.
This was a station isolated in the midst of moorlands, yet lying on the
great up-line to London. The nearest town, Thymebury itself, was seven
miles distant along the branch they call the Vale of Thyme Railway. It
was now nearly half an hour past noon, the down train had just gone by,
and there would be no more traffic at the junction until half-past
three, when the local train comes in to meet the up express at a quarter
before four. The stationmaster had already gone off to his garden, which
was half a mile away in a hollow of the moor; a porter, who was just
leaving, took charge of the phaeton, and promised to return it before
night to Naseby House; only a deaf, snuffy, and stern old man remained
to play propriety for Dick and Esther.
Before the phaeton had driven off, the girl had entered the station and
seated herself upon a bench. The endless, empty moorlands stretched
before her, entirely unenclosed, and with no boundary but the horizon.
Two lines of rails, a waggon shed, and a few telegraph posts, alone
diversified the outlook. As for sounds, the silence was unbroken save by
the chant of the telegraph wires and the crying of the plovers on the
waste. With the approach of midday the wind had more and more fallen, it
was now sweltering hot and the air trembled in the sunshine.
Dick paused for an instant on the threshold of the platform. Then, in
two steps, he was by her side and speaking almost with a sob.
"Esther," he said, "have pity on me. What have I done? Can you not
forgive me? Esther, you loved me once--can you not love me still?"
"How can I tell you? How am I to know?" she answered. "You are all a lie
to me--all a lie from first to last. You were laughing at my folly,
playing with me like a child, at the very time when you declared you
loved me. Which was true? was any of it true? or was it all, all a
mockery? I am weary trying to find out. And you say I loved you; I loved
my father's friend. I never loved, I never heard of, you, until that man
came home and I began to find myself deceived. Give me back my father,
be what you were before, and you may talk of love indeed!"
"Then you cannot forgive me--cannot?" he asked.
"I have nothing to forgive," she answered. "You do not understand."
"Is that your last word, Esther?" said he, very white, and biting his
lip to keep it still.
"Yes; that is my last word," replied she.
"Then we are here on false pretences, and we stay here no longer," he
said. "Had you still loved me, right or wrong, I should have taken you
away, because then I could have made you happy. But as it is--I must
speak plainly--what you propose is degrading to you, and an insult to
me, and a rank unkindness to your father. Your father may be this or
that, but you should use him like a fellow-creature."
Public-domain text, read in full here on John Shaqi.
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