(I have long desired, most mighty Emperor, to sing the praises of your valour and achievements, to recount your campaigns, and to tell how you suppressed the tyrannies; how your persuasive eloquence drew away one usurper’s(9) bodyguard; how you overcame another(10) by force of arms. But the vast scale of your exploits deterred me, because what I had to dread was not that my words would fall somewhat short of your achievements, but that I should prove wholly unequal to my theme. That men versed in political debate, or poets, should find it easy to compose a panegyric on your career is not at all surprising. Their practice in speaking, their habit of declaiming in public supplies them abundantly with a well‐ warranted confidence. But those who have neglected this field and chosen another branch of literary study which devotes itself to a form of composition little adapted to win popular favour and that has not the hardihood to exhibit itself in its nakedness in every theatre, no matter what, would naturally hesitate to make speeches of the epideictic sort. As for the poets, their Muse, and the general belief that it is she who inspires their verse, obviously gives them unlimited license to invent. To rhetoricians the art of rhetoric allows just as much freedom; fiction is denied them, but flattery is by no means forbidden, nor is it counted a disgrace to the orator that the object of his panegyric should not deserve it. Poets who compose and publish some legend that no one had thought of before increase their reputation, because an audience is entertained by the mere fact of novelty. Orators, again, assert(11) that the advantage of their art is that it can treat a slight theme in the grand manner, and again, by the use of mere words, strip the greatness from deeds, and, in short, marshall the power of words against that of facts.) Ἐγὼ δὲ εἰ μὲν ἑώρων ταύτης ἐμαυτὸν ἐπὶ τοῦ παρόντος ἐν χρείᾳ τῆς τέχνης, ἦγον ἂν τὴν προσήκουσαν ἡσυχίαν τοῖς ἀμελετήτως ἔχουσι τῶν τοιούτων λόγων, [D] παραχωρῶν τῶν σῶν ἐγκωμίων ἐκείνοις, ὧν μικρῷ πρόσθεν ἐμνήσθην. ἐπεὶ δὲ ἅπαν τοὐναντίον ὁ παρὼν ἀπαιτεῖ λόγος τῶν πραγμάτων ἁπλῆν διήγησιν οὐδενὸς ἐπεισάκτου κόσμου δεομένην, ἔδοξε κἀμοὶ προσήκειν, τοῦ(12) ἀξίως διηγήσασθαι τῶν ἔργων ἀνεφίκτου καὶ τοῖς προλαβοῦσιν(13) ἤδη φανέντος. ἅπαντες γὰρ σχεδὸν οἱ [3] περὶ παιδείαν διατρίβοντες σε(14) ἐν μέτρῳ καὶ καταλογάδην ὑμνοῦσιν, οἱ μὲν ἅπαντα περιλαβεῖν ἐν βραχεῖ τολμῶντες, οἱ δὲ μέρεσιν αὑτοὺς ἐπιδόντες τῶν πράξεων ἀρκεῖν ᾠήθησαν, εἰ τούτων τῆς ἀξίας μὴ διαμάρτοιεν. ἄξιον δὲ ἄγασθαι τὴν προθυμίαν τῶν ἀνδρῶν ἁπάντων, ὅσοι τῶν σῶν ἐπαίνων ἥψαντο. οἱ μὲν γάρ, ὅπως μηδὲν ὑπὸ τοῦ χρόνου τῶν σοι πραχθέντων ἀμαυρωθείη, τὸν μέγιστον ὑποδῦναι πόνον ἐτόλμησαν, οἱ δέ, ὅτι τοῦ παντὸς διαμαρτήσειν ἤλπιζον, τὴν αὑτῶν γνώμην ἐν μέρει προύφηναν, [B] ἄμεινον τοῦ τῆς σιωπῆς ἀκινδύνου γέρως κρίναντες κατὰ δύναμίν σοι τῶν οἰκείων πόνων ἀπάρξασθαι.