The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations — John Shaqi
The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
General
The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
The Portrait; being an apology for not making an
Attempt on my own Life 369
The Compass, with Variations 375
Summer--A Winter Eclogue 382
Pair’d _not_ match’d 390
The Duel--A Serious Ballad 394
The Rope Dancer--An Extravaganza, after Rabelais 397
Sonnet to Vauxhall 410
Ode to Mr. Malthus 411
A Good Direction 416
The Pleasures of Sporting 418
There’s no Romance in that 424
The Abstraction 429
A Waterloo Ballad 435
Miller Redivivus 440
A Zoological Report 444
Literary Reminiscences 448
Shooting Pains 458
The Schoolmaster’s Motto 462
HOOD’S OWN:
OR, LAUGHTER FROM YEAR TO YEAR.
[Illustration: A PASTORALE IN A FLAT.]
THE PUGSLEY PAPERS.
How the following correspondence came into my hands must remain
a Waverley mystery. The Pugsley Papers were neither rescued from
a garret, like the Evelyn,--collected from cartridges, like the
Culloden,--nor saved, like the Garrick, from being shredded into a
snow storm at a Winter Theatre. They were not snatched from a tailor’s
shears, like the original parchment of Magna Charta. They were neither
the Legacy of a Dominie, nor the communications of My Landlord,--a
consignment, like the Clinker Letters, from some Rev. Jonathan
Dustwich,--nor the waifs and strays of a Twopenny Post Bag. They were
not unrolled from ancient papyri. They were none of those that “line
trunks, clothe spices,” or paper the walls of old attics. They were
neither given to me nor sold to me,--nor stolen,--nor borrowed and
surreptitiously copied,--nor left in a hackney coach, like Sheridan’s
play,--nor misdelivered by a carrier pigeon,--nor dreamt of, like
Coleridge’s Kubla Khan,--nor turned up in the Tower, like Milton’s
Foundling MS.,--nor dug up,--nor trumped up, like the eastern tales of
Horam harum Horam, the son of Asmar,--nor, brought over by Rammohun
Roy,--nor translated by Doctor Bowring from the Scandinavian, Batavian,
Pomeranian, Spanish, or Danish, or Russian, or Prussian, or any other
language dead or living. They were not picked from the Dead Letter
Office, nor purloined from the British Museum. In short, I cannot, dare
not, will not, hint even at the mode of their acquisition: the reader
must be content to know, that, in point of authenticity, the Pugsley
Public-domain text, read in full here on John Shaqi.
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