The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
England seems to have changed places with Italy; London with Naples.
We stand hourly on the brink of a crater; every step we take is on
a solfaterra--not a land of Sol Fa, as some musical people would
translate it; but a frail crust, with a treacherous subsoil of ardent
brimstone! At length the eyes of our rulers are opened; but we must
ask, could nothing short of such an eruption awaken them to a sense
of the perilous state of the country? For weeks, nay, months past, at
the risk of being considered alarmists, we have called the attention
of the legislature and magistracy to a variety of suspicious symptoms
and signs of the times, and in particular to the multiplied chemical
inventions, for the purpose of obtaining instantaneous lights. Well
are certain matches or fire-boxes called Lucifers, for they may be
applied to the most diabolical purposes! The origin of the fire cannot
raise the shadow of a doubt in any reasonable mind. Accident is out
of the question. Tell us not of tallies. We have just tried our
milk-woman’s, and it contained so much water, that nothing could make
it ignite.--_Britannic Guardian_.
The Houses of Parliament are in flames. We shall stop the press to give
full particulars. Our reporters are at the spot, and Mons. C----, the
celebrated Salamander, is engaged to give a description of the blazing
_interiors_, exclusively for this journal.--_Daily Times._
_From a Correspondent._
On Thursday evening, towards seven o’clock, I was struck by the
singular appearance of the moon silvering the opposite chimneys with
a blood-red light, a lunar phenomenon, which I conceived belonged
only to our theatres. It speedily occurred to me that there must be
a conflagration in my vicinity, and after a little hunting by scent
as well as sight, I found myself in front of the Houses of Lords
and Commons, which were burning with a rapidity and brilliancy that
I make bold to say did not always characterise their proceedings.
By favour of my natural assurance, which seemed to identify me with
the firemen, I was allowed to pass through the lines of guards and
policemen, who surrounded the blazing pile, and was thus enabled to
select a favourable position for overlooking the whole scene. It was
an imposing sight. The flames rose from the Peers’ in a volume, as red
as the Extraordinary Red Book, and the House of Commons was not at
all behind-hand in voting supplies of timber and other combustibles.
Westminster Hall reminded me vividly of a London cry, “Hall hot, Hall
hot,” that was familiar in our childhood--and the Gothic architecture
of the Abbey seemed unusually _florid_. Instead of dingy stone, the
venerable pile appeared to be built of the well-baked brick of the
Elizabethan age. Indeed, so red-hot was its aspect, that it led to a
ludicrous misapprehension on the part of the populace. A procession,
bearing several male and female figures in a state of insensibility,
naturally gave rise to the most painful conjectures, inferring loss of
Public-domain text, read in full here on John Shaqi.
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