Science fiction, English -- History and criticism; Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
It appears in a crude form in his first avowedly sociological work,
_Anticipations_. He there attempts to show that the chaos of society is
of itself beginning to generate a constructive class, into whose hands
it must ultimately fall. The advance of mechanism, he predicts, will
produce four clearly defined classes: an immense shareholding class with
all the potentialities of great property and a complete lack of function
with regard to that property; a non-producing class of middle-men
dependent on these, and composed of agents, managers, lawyers, clerks,
brokers, speculators, typists, and organizers; the expropriated class of
propertyless and functionless poor, whose present livelihood is
dependent on the fact that machinery is not yet so cheap as their labor.
And amid this generally disorganized mass a fourth element will define
itself. This in rudiment is the element of mechanics and engineers,
whose work makes it necessary for them to understand the machines they
are making and to be continually on the lookout for new methods. These
men, he holds, will inevitably develop a common character based on a
self-wrought scientific education and view of life. About them as a
nucleus all the other skilled and constructive minds--doctors, teachers,
investigators, writers, and the like--will tend to group themselves; and
as the other classes in their very nature will tend to social
disintegration, these will inevitably grow more and more conscious of a
purpose, a reason, a function in common, and will disentangle themselves
from the aimless and functionless masses about them. Democracy, as we
know it, will meanwhile pass away. For democratic government unavoidably
reduces itself to government by party machines and party machines depend
for their existence on alarms, quarrelsome patriotisms, and
international exasperations whose almost inevitable outcome is war.
Public-domain text, read in full here on John Shaqi.
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