Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
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THE WORLD OF HOMER
by
ANDREW LANG
With Illustrations
Longmans, Green, and Co.
39 Paternoster Row, London
New York, Bombay, and Calcutta
1910
[Illustration: Moulded Pithos from Sparta. Illustrates 7th-6th Century
Armour, with Thigh-Piece From _British School at Athens_, vol. xii.
(_Macmillan Co. Ltd_.)]
PREFACE
In 1895 I published _Homer and the Epic_ (pp. 424), containing a
criticism of Wolf's theory, if theory it can be called, which is
the mother of modern Homeric criticism. I analysed, book by book,
the _Iliad_ and the _Odyssey_, observing on the modern ideas of
interpolation and the modern objections to many scores of passages
which, as a rule, I defended from charges of "lateness" and
inconsistency.
I added chapters on the Lost Epics of Greece, on Archeology, and on the
early Epic poetry of other ages and peoples which offers analogies,
more or less imperfect, with Homer.
On the whole my conclusions were identical with those of Signor
Comparetti, in his preface to his learned book on the Finnish
_Kalewala_. He says:
"The anatomical and conjectural analysis which has been applied so
often and so long ... to the Homeric poems and other national epics,
proceeds from an universal abstract principle, which is correct, and
from a concrete application of that principle, which is imaginary and
groundless."
The true principle, recognised since the end of the eighteenth century,
separates the "personal" and learned Art Epics, like the _Æneid_ and
the _Gerusalemme Liberata_, from those which belong to the period of
spontaneous epic production, "when Folk-singers fashioned many epic
lays of small or moderate compass." (Perhaps Folk-singers is hardly the
right term. Such songs of exploits as the Borderers "made themselves,"
as Bishop Lesley said in 1578, were not "epic lays," but ballads like
"Jock o' the Side," and "Archie o' Cafield," and "Johnie Cock," despite
its name the most romantic of all.)
Public-domain text, read in full here on John Shaqi.
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