The World's Illusion, Volume 2 (of 2): RuthWassermann, Jakob
General
The World's Illusion, Volume 2 (of 2): Ruth
Wassermann, Jakob
German fiction -- Translations into English
Johanna had been astonished from the beginning that the nature of her
brief contact with Christian, which shone to her from the past like
a bit of dawn, had not been obvious to him. If he had understood and
taken what had happened as a matter of course, she would probably have
admitted it quite naïvely. But his savagery and his avidity aroused her
defiance and her fear more and more. Every new attack of his made her
feel more unapproachable, and she suddenly felt that she had a secret
to guard from him, a deep and proud secret, which no assurances and no
persecutions would make her yield up. It was a possession that all good
spirits bade her keep, that she should never give up to him who would
regard it as a shameful thing and into whose unblessed power she had
fallen. So she built defences, and was ready to fight and to lie, to
endure all that was ugly and repulsive, reproof and degradation.
And these, indeed, she came to endure. All his obsessions concentrated
themselves on this one point. His glances searched and his words
probed her; behind every tenderness and every touch there lurked a
question. If she evaded him, he became enraged. If she soothed him,
he cast himself down and kissed her feet. She took pity on him, and
for the space of a few ecstatic hours deceived him with the liberally
invented details of a platonic relationship. He seemed to believe her
and begged her forgiveness, promising more gentleness and silence and
consideration. But hardly had a day passed before the old mischief
sprang up anew. His eye was sharpened as by acid. Christian Wahnschaffe
was the enemy, the thief, the adversary. What happened at such and
such a time? What did she say to him on such an occasion? What had he
answered? Whence had he come? Whither was he going? Did he ask her to
yield herself? Did she kiss him? Once? Many times? Had she desired his
kisses? When was she ever alone with him? How did the room look? What
sort of a dress had she worn? It was hopeless. It was like a drill that
turns and eats into wood. Johanna repulsed him violently; she jeered
and sighed and hid her face. She wept and she laughed, but she did not
yield by the breadth of a hair.
Next came utter exhaustion. She was often so worn out that she lay
on a sofa all day, pale and still. She let her relatives take her to
theatres, concerts, picture galleries. With dull eyes and freezing
indifference she endured these demands. The sympathy of people was a
burden to her. What could they do to soften her cruel self-contempt?
This killing contempt she transformed into a weapon, the two-edged
sword of her wit, and this she turned against her own breast. Her
sayings became famous in large circles of society. She described how
she had once been bathing by a lake and how a sudden gust of wind had
blown away her bath-chair. “And there,” she closed, “I stood as naked
as God had created me in His wrath.”
Public-domain text, read in full here on John Shaqi.
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