The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature — John Shaqi
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
The pleasures of travel may be greatly enhanced by definite knowledge of
countries visited--their recorded past, the manner of life of those who
dwelt within them and those now populating them; ruins, old temples,
surviving art, make slight appeal to those wholly unfamiliar with the
ages that produced them. The enjoyment of a play is more poignant for
the one who has in mind the changes which plays and playhouses have
witnessed. There is something impressive in the thought that for ages
audiences have been thus held spellbound. Four centuries before the
Christian era imposing dramas and keenly satirical comedies were given
before larger assemblies than modern theatres could accommodate. Only in
modern times has a curtain separated the players and spectators.
Formerly the favored sat upon the stage itself; in the Elizabethan
playhouse the majority stood throughout an entire performance. Sentences
in Shakespeare's plays are meaningless without taking these facts into
account. Some extended acquaintance with pictures would put an end to
comments made not infrequently by critics that the spectacle of groups
of people today in attendance upon an art exhibit supplies an
astonishing sight. The majority--so it has been stated--find a number
in their catalogues, search frantically about for a picture so
designated, and when they discover it, sigh with satisfaction and begin
the search for another--"for all the world as though they were indulging
in a simple hunting game!" Why Raphael painted so many Madonnas, why
Watteau seems to have known only the gay and carefree--these are simple
questions which many might find perplexing to adequately explain.
The traveler whose time in a foreign land is limited does not seek the
commonplace and unattractive; he does not try to compass all a city
might have to show in the brief period he can spend there; rather, he
obtains the guidance of those more familiar with the locality, and gives
his attention to the best it has to offer. So if our time for reading
and self-improvement must be brief, we shall find small satisfaction in
wasting it blindly searching for what may satisfy. Educators are usually
less pressed by insidious cares and more free to give their devotion to
favorite subjects.
It is a mistake to suppose one reads chiefly for information. We read to
develop our insight into the mystery of life; to gain an individual
viewpoint; to establish our standards of conduct and modify our standard
of judgment. Reading which is mere diversion can never bestow this
power.
Public-domain text, read in full here on John Shaqi.
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