The Writings of Thomas Paine — Volume 4 (1794-1796): The Age of ReasonPaine, Thomas
Religion
The Writings of Thomas Paine — Volume 4 (1794-1796): The Age of Reason
Paine, Thomas
Philosophy and religion; Political science; Rationalism
Poetry consists principally in two things—imagery and composition. The
composition of poetry differs from that of prose in the manner of
mixing long and short syllables together. Take a long syllable out of a
line of poetry, and put a short one in the room of it, or put a long
syllable where a short one should be, and that line will lose its
poetical harmony. It will have an effect upon the line like that of
misplacing a note in a song.
The imagery in those books called the Prophets appertains altogether to
poetry. It is fictitious, and often extravagant, and not admissible in
any other kind of writing than poetry.
To show that these writings are composed in poetical numbers, I will
take ten syllables, as they stand in the book, and make a line of the
same number of syllables, (heroic measure) that shall rhyme with the
last word. It will then be seen that the composition of those books is
poetical measure. The instance I shall first produce is from Isaiah:—
“Hear, O ye heavens, and give ear, O earth
’T is God himself that calls attention forth.
Another instance I shall quote is from the mournful Jeremiah, to which
I shall add two other lines, for the purpose of carrying out the
figure, and showing the intention of the poet.
“O, that mine head were waters and mine eyes
Were fountains flowing like the liquid skies;
Then would I give the mighty flood release
And weep a deluge for the human race.”—Author.]
There is not, throughout the whole book called the Bible, any word that
describes to us what we call a poet, nor any word that describes what
we call poetry. The case is, that the word prophet, to which a later
times have affixed a new idea, was the Bible word for poet, and the
word ‘propesying’ meant the art of making poetry. It also meant the art
of playing poetry to a tune upon any instrument of music.
We read of prophesying with pipes, tabrets, and horns—of prophesying
with harps, with psalteries, with cymbals, and with every other
instrument of music then in fashion. Were we now to speak of
prophesying with a fiddle, or with a pipe and tabor, the expression
would have no meaning, or would appear ridiculous, and to some people
contemptuous, because we have changed the meaning of the word.
We are told of Saul being among the prophets, and also that he
prophesied; but we are not told what they prophesied, nor what he
prophesied. The case is, there was nothing to tell; for these prophets
were a company of musicians and poets, and Saul joined in the concert,
and this was called prophesying.
Public-domain text, read in full here on John Shaqi.
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