The Wrong WomanStewart, Charles D. (Charles David)
General
The Wrong Woman
Stewart, Charles D. (Charles David)
Texas -- Fiction
"But what is a man going to do about _that_? How can _he_ help it?"
pursued Diefenbach.
"Why," said Lee, "he 's got to keep track of them when they 're being
born and see that every sheep takes her lamb and gets to liking it.
Whenever there's one that don't want a lamb he's got to tend to her."
"_Donnerwetter!_" exclaimed Diefenbach, reverting momentarily to his
native tongue. He picked up a beading-punch and turned to his own line
of industry.
From sheep they got back to horses again,--conversation usually travels
in a circle,--and being now in their native element they continued in
one stay, discussing ways and means
"To wind and turn a fiery Pegasus,
And witch the world with noble horsemanship."
The story of the woman had reached this state, circumstantial and
complete, when, by divers methods, it got out to the more aristocratic
circles of Claxton Road.
CHAPTER VI
There was not a stone, it is safe to say, within half a day's walk of
Claxton Road. Prairie country of the black-waxy variety is noticeably
bereft of this usual feature of life, the lazy Southern ocean which
formerly brooded over these parts having deposited black, rich muck
till it covered everything post-hole deep. And so if a man had wanted
a stone to throw he would have had to walk several miles to find one,
by which time, of course, his anger would have cooled off. Originally
there had been one here and there, but these solitary specimens, being
such a novelty, and standing out so plainly on the flat scene, had been
picked up by farmer or cowboy and taken home. Thus each of the several
stones in those parts was engaged in holding open the barn door or the
ranch gate, or was established in the back yard to crack pecan nuts on,
much to the improvement of flatirons. If a man had stolen one and used
it openly, he would sooner or later have been found out. But why do we
speak of stones?
Public-domain text, read in full here on John Shaqi.
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