The Yale Literary Magazine (Vol. I, No 1, February 1836)Various
General
The Yale Literary Magazine (Vol. I, No 1, February 1836)
Various
College students' writings, American -- Connecticut -- New Haven -- Periodicals; Yale University -- Periodicals
sided piece of anatomy, with an elongated phiz, nose like a fish hook,
and lips blown to a point by his constant musical exertions. In order
to add dignity to the delegation, Mr. Wonderful Gruff--whose magic
powers wooed harmony from an antiquated base viol--accompanied Mr.
Heth. Mr. Gruff was the wisest man in Droneville. To be sure, he never
spoke a word to reveal his wisdom, but then he _looked_ tremendous
wise, and a nod or a grunt from Mr. Gruff, had more influence in the
village councils, than a speech of an hour’s length from most men. Mr.
Gruff was a perfect personification of conceited obstinacy. His short
stubborn neck and mulish character, evinced a perfect harmony of parts,
and unity of design. Such were the animals which presented themselves
in the parson’s study. Mr. Heth, of course, was the orator--and such a
one! He was none of your concise speakers, who tell all they have to
say in the fewest words possible, but an eloquent, long-winded orator,
able to talk a vast while without saying any thing. Mr. Heth was very
fond of onions--the parson, however, had rather an aversion to these
delicacies. Mr. Heth was, moreover, afflicted with deafness, and for
the double purpose of increasing the effect of his own masterly powers,
and hearing his auditor’s replies, he drew a chair near his victim, and
for about half an hour, blew an irresistible torrent of eloquence into
the parson’s nose. Unable to resist such honied words, accompanied by a
voice which rivaled the most cracked notes of Mr. Heth’s own clarionet,
and seconded by the momentous nods and grunts of Mr. Gruff, the parson
declared himself a convert to the principles of the anti-bonnets.
This was the signal of triumph to their party--their opponents were
crushed, and the bonnets were banished from the choir. After several
weeks spent in preparation, the eventful Sabbath finally arrived,
when the _élite_ of Droneville maidens, were to appear in ‘unbonneted’
beauty. Never had there been such an excitement in Droneville. The
choir, and their appearance, were discussed in all places. It was
regularly “served up,” at every tea table in the village. “What are
Droneville people coming to,” exclaimed the old ladies; “things are
changed since we were lads,” responded the veterans. “If I hadn’t any
more hair than Polly Snipe, you wouldn’t catch me singing with my
bonnet off,” said Miss Catnip. The day arrived; it was a cool bracing
morning in January; but never, “within the memory of the oldest
inhabitants,” had Droneville church been so crowded. While the parson
was imploring God’s blessing, the bucks were ogling and whispering,
the singers were turning over the leaves of their books, an occasional
note escaped from the nose of Mr. Long Metre, Mr. Gruff was tuning
his base viol, Mr. Heth was caulking his clarionet. The hymn is at
length “given out,”--all eyes are turned to the gallery,--every mouth
is opened in wondering expectation,--the blind wipe their spectacles,
Public-domain text, read in full here on John Shaqi.
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