The Yale Literary Magazine (Vol. I, No. 2, March 1836)Various
General
The Yale Literary Magazine (Vol. I, No. 2, March 1836)
Various
College students' writings, American -- Connecticut -- New Haven -- Periodicals; Yale University -- Periodicals
involve him, and amidst all his desperation, he still exhibits longings
for his former state of innocence and peace. For the murdered Duncan his
feelings are none other than those of respectful compassion. In the very
midst also of his deeds of guilt, and amidst his struggles with remorse,
he reveals to his wife his anguish with the utmost tenderness of
reposing affection. These things throw a softening over a character
which would otherwise be purely abhorrent to our feelings. The idea of
fate still clings to him, and the belief that by the murder of Duncan,
he had more closely associated himself with those hellish beings who had
led him on, adds yet another shade to the darkness of his mind. In an
agony of desperation he consults them to learn, “by the worst means the
worst.” From that hour, we feel that his doom is fixed; knowing that
though
They “keep the words of promise to his ear,”
They’ll “break it to his hope.”
Thus it proves. Macbeth seeing one promise after another in which he had
trusted, failing him, at last throws himself upon his own courage,
which, as an acquired habit of the field at least, had never left him.
With sword in hand he dies.
Lady Macbeth, who by her amazing, and fearful energy of intellect, could
suppress remorse as long as there was any object to be accomplished,
when at length her mind is left objectless, feels it in its most
terrible power. When upon such a mind remorse fastens its fangs, that
mind turns upon its devourer with an energy strong as its own power to
grasp, and enduring as its hold. Nothing sooner than death can end the
struggle.
And now that we are at the end of this fearful and gloomy history, we
may just review the scene. Duncan, the meek and guileless father-king,
shedding around him a cheerful, genial light! Macbeth, growing up in
that light, and promising to reflect it back on its giver, and to add to
its splendor! But that light is put out in darkness: a more fearful
darkness comes over the _guilty man_, spreading to all about him, and
gathering gloom, as we are hurried rapidly and certainly to the
consummation. At length, when virtue reappears, though it be in the form
of an avenger, the darkness begins to move away; and light, though mild
and chastened, just gilds the scene as it closes.
G.
THE CASCADE.
‘It leapt and danced along all joyously,
Till winter winds swept o’er it.——’
I saw, as I stood by a mountain’s side
On a lovely summer day,
When the light winds in the vale had died,
And all was fresh and gay—
A cascade beautiful and clear
All gaily laughing in the sun,
As it dashed upon its bed of stone,
Sprinkling the wild flowers near.
Public-domain text, read in full here on John Shaqi.
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