The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
"The wife?"--Mr. Morrow, for a moment, was as confused as myself. But
when I explained that I alluded to Dora Forbes in person he informed me,
with visible amusement at my being so out of it, that this was the
"pen-name" of an indubitable male--he had a big red moustache. "He only
assumes a feminine personality because the ladies are such popular
favourites. A great deal of interest is felt in this assumption, and
there's every prospect of its being widely imitated." Our host at this
moment joined us again, and Mr. Morrow remarked invitingly that he
should be happy to make a note of any observation the movement in
question, the bid for success under a lady's name, might suggest to Mr.
Paraday. But the poor man, without catching the allusion, excused
himself, pleading that, though he was greatly honoured by his visitor's
interest, he suddenly felt unwell and should have to take leave of
him--have to go and lie down and keep quiet. His young friend might be
trusted to answer for him, but he hoped Mr. Morrow didn't expect great
things even of his young friend. His young friend, at this moment,
looked at Neil Paraday with an anxious eye, greatly wondering if he were
doomed to be ill again; but Paraday's own kind face met his question
reassuringly, seemed to say in a glance intelligible enough: "Oh, I'm
not ill, but I'm scared: get him out of the house as quietly as
possible." Getting newspaper-men out of the house was odd business for
an emissary of Mr. Pinhorn, and I was so exhilarated by the idea of it
that I called after him as he left us:
"Read the article in _The Empire_, and you'll soon be all right!"
V
"Delicious my having come down to tell him of it!" Mr. Morrow
ejaculated. "My cab was at the door twenty minutes after _The Empire_
had been laid upon my breakfast-table. Now what have you got for me?" he
continued, dropping again into his chair, from which, however, the next
moment he quickly rose. "I was shown into the drawing-room, but there
must be more to see--his study, his literary sanctum, the little things
he has about, or other domestic objects or features. He wouldn't be
lying down on his study-table? There's a great interest always felt in
the scene of an author's labours. Sometimes we're favoured with very
delightful peeps. Dora Forbes showed me all his table-drawers, and
almost jammed my hand into one into which I made a dash! I don't ask
that of you, but if we could talk things over right there where he sits
I feel as if I should get the keynote."
Public-domain text, read in full here on John Shaqi.
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